Savage Saints: The Broken Hymn
Page 135
“You think because you taught people how to sing,” I continue, “that you taught them how to listen.”
I step forward once. Not toward him—into the space between us, where certainty begins to thin.
“You don’t understand what breaks a song.” My voice stays calm, and that makes the room feel smaller. “It isn’t disobedience. It isn’t noise. It’s the moment the mouth stops opening for men who call silence sin.”
A ripple moves through the room. Sharp. Involuntary. Outside, the hymn falters again, voices overlapping too fast, too eager, like they’re trying to outrun something catching up.
His eyes flick—calculating—then return to me, bright with sanctified hunger.
“You were shaped by us whether you admit it or not,” he says. “All fire is born from something.”
“Yes,” I agree. “But it doesn’t owe the match its loyalty.”
The silence that follows no longer belongs to him.
It stretches wrong and tense, like a held breath that doesn’t know how to release itself without admitting something has changed.
Behind him, iron creaks. Chains whisper. Somewhere deeper in the maze, metal shifts—not hurried, not hidden. Prepared. They brought him back up here for me. I can tell by the way the air carries iron and intention, by the way pain has been elevated instead of concealed.
The High Revelation’s smile doesn’t return.
Instead, his voice softens—drops into the tone reserved for final lessons.
“Careful,” he says gently. “Even broken hymns are meant to be sung.”
I tilt my head, just enough.
“No,” I answer, calm as settling ash. “Some of us are meant to end the song.”
For the first time since I crossed the threshold, the room understands—not what I am, but what I’m about to do.
The High Revelation exhales slowly, indulgent, like a man humoring a child’s misunderstanding. His smile returns. Certain.
“Ah,” he says almost fondly. “Hear how she speaks. Not in plea. Not in praise. But in declaration.”
He turns his head slightly, addressing the Choir without breaking eye contact with me.
“This is why she frightens you.” His voice moves through the room with awful patience. “Not because she resists. Resistance can be broken. Not because she survives. Survival can be corrected.”
He takes one step closer, and the boards complain beneath him.
“She speaks like the world might listen.”
Something moves through the Choir then. Not fear exactly. Recognition. Bodies lean in. Hands tighten. Belief pulls itself taut, bracing around the idea of me like I’m not a girl standing in their ruined room, but a crack spreading through the foundation.
“You think the song ends because you refuse to sing.” His voice stays almost gentle. “But child, songs don’t end when one voice goes silent.”
He lifts one finger.
“They end when the voice you love starts singing for you.”
The hymn outside swells, desperate now, trying to drown me out before I finish existing.
He moves closer still, stopping just outside my reach. I can smell old incense on him, layered over iron and something faintly sweet that never learned how to decay properly.
“You were never meant to kneel,” he says softly. “Knees are for those who need shaping.”
His gaze flicks—deliberate.