Time is something I’m short on now.
Carefully, I take the syringe out of the bag, then clasp the phial onto the latch.
The needle is separately packaged, and it’s a fumbling moment before I’m slipping it into place, then it locks.
And it feels like a gun in my hand.
Dangerous.
Too dangerous.
I should put it down, bury it again, run out of this garden—and never return.
But I wind a strip of fabric around my bicep and stretch out my arm.
I move slow, slower now that there’s murkiness in my vision, like terrified tears are brewing but not falling.
I pause.
Strap around my arm, my veins are starting to rise, and I aim the syringe at myself—and my hand starts to tremble.
I swallow back an audible gulp.
But it does nothing to soften the lump in my throat.
I inch the needle closer to the larger, lifted vein.
A groan thrums in my throat.
I pierce my flesh—and a hollow sound ribbons out of me.
The pain is more than I expected.
Maybe since I do it to myself.
Maybe that my insides are in turmoil.
But I draw blood.
Red crimson floods the phial. It sloshes and splashes against the glass.
Then, once it’s full, I peel the needle out of my vein.
Teeth bared, I fight off the rattle that aches to shudder me.
But that shudder locks into my hands, hands that tremble as I unlatch the phial, then let it fall onto my palm.
I still.
On my knees, moonlight cascading over my back, I hold the phial of my blood in my shadow.
My face twists.
The tears finally fall.
And I lift the phial into the moonlight—
7