“But what about a post mortem?” I like true crime podcasts, but I’ve never heard of Ethylene Glycol poisoning.
“We’re the mob, dear. We don’t do post mortems.”
I’m sure moma means our little chat to be comforting, but all it does is increase my anxiety before the wedding. What she’s really saying is that if my future husband mistreats me, I can’t rely on the men in my family to protect me.
Never as detached as her son to my wellbeing, I don’t doubt that moma will kill to protect me. But the fact that she thinks it might be necessary?
That scares the crap out of me.
With no real idea what to expect and her dire warnings ringing in my head, I spend the last semester of high school hiding my fear from my friends and family when I see them.
I’ve gotten so good at it, my smile doesn’t slip once on my wedding day.
And Michael’s is completely absent.
He doesn’t smile during the ceremony. He doesn’t smile when we’re pronounced husband and wife. His face is void of emotion when we cut the cake and that doesn’t change when we share our first dance under the ballroom chandeliers.
It’s disconcerting. And confusing.
I don’t know my groom well, but from what I’ve seen, Michael’s blessed with more than his fair share of Irish charm. And his smile gives me butterflies when it’s turned on someone else and makes my heart race the few times it’s turned on me.
Until now, I have no inkling why the men whisper about him and call him an diabhal. Devil.
But this Michael is intimidating. Downright scary.
Where is his easy smile? Today of all days, I need to see it. But it doesn’t break through once.
I can’t stop thinking about it the entire helicopter ride to Martha’s Vineyard.
Why is he so somber? Did he not want the marriage?
I mean, I know it’s an alliance, not two people in love, but I never thought he didn’t want to marry me.
Is there someone he had to leave behind in Ireland and today was the reminder that he would never see her again? Never have the future they wanted?
My stomach twists in knots, a feeling I’ve never experienced before, making it hard to breathe.
Jealousy.
We’re both silent on the short drive from the helipad to the Martha’s Vineyard house.
Bittersweet warmth surges through me when the large white, two story beach cottage comes into view. The Shaughnessy family has been using this place for vacations for three generations.
Or what we call vacations: mob business with our allies masquerading as family bonding time.
Like our home on Long Island, there’s a smaller building meant to barracks whatever soldiers are on security, but there are no quarters for live-in staff.
A groundskeeper, cook and housekeeper come daily, when we’re here. I don’t know what their schedule is when we aren’t. I suppose that’s something I’m going to have to know.
Moma will teach me.
Despite the business that went on behind closed doors, some of my best memories are playing in the lush grass with my cousin and sister while Aunt Charity and moma sipped iced tea on the terrace.
Sometimes Uncle Derry would join in, chasing us down the path to the beach, making us scream with laughter. After Aunt Charity’s death, he stopped doing it.
Everything changed after Aunt Charity got shot four years ago. Including me.
Conor, one of the men Michael brought with him from Dublin, opens my door and I step out of the SUV.