Alice watches too. Her fear has lessened but she’s still nervous, still oriented toward the door, although there’s something else in her expression now. Relief, I’m pretty sure. The unburdening of a woman who’s been holding a dead man’s papers for too long and has finally put them in the hands they were meant for.
Vi looks up from the stack. “Is this everything?”
Alice hesitates.
And I know, before she opens her mouth, that the answer is no.
14
STING
I waitfor Vi to look up from the papers, long enough for the room to understand that someone else is about to speak.
Then I do what I came here to do. “It’s circumstantial.”
Vi’s hands go still on the stack.
“The memos show that a city official flagged irregularities. That’s documented. The emails show he raised concerns through proper channels and was ignored. Also documented. But none of this proves what you want it to prove.”
I keep my voice level and measured. I’m not attacking the evidence, I’m describing its limits. I mean to protect Vi, to help her set realistic expectations.
“Flagging corruption isn’t the same as being clean,” I continue. “A man in his position could have been flagging competitors. Protecting his own piece of the operation by taking out the pieces he didn’t control. Every corrupt official I’ve ever studied had a moment where they pointed at someone else’s dirt. It’s strategy, not conscience.”
Vi doesn’t respond but her expression says it all, and I wonder if I’m going to regret my assessment. Actually, I already do. Her fingers rest flat on the papers, pressing lightly, as if someone might swipe them from her. But her eyes are on me, steady and hard. She doesn’t fire back. She doesn’t need to.
That’s new. The Vi I know would have been across the room by now, in my face, voice sharp, dragging the argument onto her ground. Her retreating is worse. It means she’s decided that engaging with me isn’t worth the energy, that she’s heard enough from me and won’t waste her breath because I’m beyond reasoning with.
I keep going anyway. Because the analysis doesn’t stop being true just because she doesn’t want to hear it.
“The documents are incomplete. There’s no independent verification. We have one person’s account,” I nod toward Alice, “and one person’s papers. Both could be genuine. Both could be selectively preserved—the parts that tell the story someone wanted told, with the parts that contradict it removed or never included.”
Alice watches me. She doesn’t argue or bristle or try to defend the papers or her role in keeping them. She just stands there against the wall with her arms crossed and her eyes on me, tired and knowing. She’s got the look of a woman who’s considered this exact argument during the years she spent with these documents, wondering if they mean what she thinks they do.
“And the political isolation,” I add. “Council members distancing themselves, the deputy mayor going silent, the oversight committee pulling support. That’s consistent with a whistle-blower being abandoned, yes. It’s also consistent with allies cutting ties from someone whose exposure threatened them. People run from sinking ships. It doesn’t tell us who put the hole in the hull.”
Armen looks into the distance, thinking. He’ll form his own opinion when he has all the pieces, and not a moment before. Rogue is still crouched by the milk crate. His head is tilted, eyes moving between me and Vi and Alice in a slow rotation.
Vi hasn’t spoken, either. She’s looking at me with an expression I can only call contempt, the face of someone who expected this and is tired of being right about what I’d say. No big surprise there.
“Are you done?” she asks.
“I’m being thorough.”
“You’re being you.”
She gathers the papers, taps the edges against the table to align them, and slides them back into the plastic bag. Her movement is slow and controlled, as if she’s channeling whatever she wants to say to me into the precision of her hands instead.
She turns to Alice. “Thank you. I’ll take care of these.”
Alice nods. Looks at me one more time, that tired, knowing gaze, and looks away like she’s done with me, too. Fair enough.
We leave the way we came. Single file through the service door, back into the corridor, past the mannequin torso still playing with itself. Vi walks ahead, the bag pressed against her side, her stride faster than the rest of us, not running, but certainly refusing to walk beside me.
Also, fair enough.
Except.
Except that while I was delivering my assessment, my measured, logical, airtight assessment, my brain was doing something else—running a parallel process, is how I like to put it. And now, in the corridor, with Vi’s back to me, a niggling little detail is demanding my attention.