Savage Saints: The Broken Hymn
Page 99
They stand in front of what they’re meant to protect.
The realization settles slow and heavy, like frost creeping through my ribs. The nights I lay awake counting breaths, convinced the dark was empty because nothing came for me. The mornings fences were fixed that I don’t remember mending. Tracks that never crossed the property line even when everything else did. None of it was luck.
He was close enough to hear the farm breathe.
Close enough to see the lights go out.
Close enough to decide when to step in—and when not to.
I swallow, throat tight, and force myself to look at the lodge again, really look this time. The way it sits solid and patient against the mountain, like it’s been watching the valley longer than I have. Longer than I knew I was being watched.
I don’t know what unsettles me more—that he’s been there all along…or that some part of me feels steadier knowing it.
“Where is everyone?”
Malek answers without breaking stride, a loose roll of his shoulder like the question barely clears the surface. “Gathering what’s needed for what’s to come.”
The words scrape. I slow without meaning to, my eyes drifting over the cabins again, really seeing them now—the crates stacked tight beneath tarps, corners weighted with stone. Doors shut but not barred. Windows intact. Nothing here feels abandoned. It feels…paused. Held in place, waiting. My chest tightens as hope flares sharp and stupid before I can smother it.
“They left home just because we’re breaking Cass out?” I ask. The question betrays me anyway, edges frayed, too much breath riding on it.
He stops.
Not suddenly. Not angry. Just final, like the ground decided to harden under his feet.
“Nobody is broken out there,” he says, voice level as a set blade. “This is war.”
The word hits low and hard. War doesn’t mean slipping in quietly and leaving whole. It doesn’t mean saving one person and calling it mercy. War is noise and fire and loss you don’t measure until after—when the counting finally stops and you find out what it cost you to stand.
My mouth goes dry. The cabins seem to lean in around us, wood and shadow and old readiness bearing witness. I stare at the gravel until it blurs, forcing my hands to unclench.
So this isn’t about pulling Cass free in the dark.
It’s about tearing the door off its hinges and daring the world to answer.
We move on, threading between the cabins. Gravel crunches underfoot, loud in the quiet. The structures sit close together on purpose, paths worn into the dirt like habits repeated until they stuck. Porch boards sag but don’t rot through. Doors are shut, not barricaded. Windows unbroken. This isn’t abandonment. It’s a pause button.
Details start to surface whether I want them to or not.
A broom leaned beside a door, bristles worn down to nothing. A coil of rope hung neatly from a peg, ends fused and tidy. A pair of boots lined up beneath a bench, mud dried hard along the seams, laces tucked in like someone hated tripping over their own mess. One porch holds a rocking chair pulled slightly aside, angled toward the trees, as if whoever sat there liked to watch the mountain breathe at dusk.
Inside one cabin, the door creaks open just enough to show shelves stocked with canned food—labels peeled, dates marked in black ink. A cutting board scored deep with use. A knife left clean and dry, blade wrapped in cloth instead of tossed aside. In another, bunks stacked tight against the wall, blankets folded flat and heavy, corners squared with care. Not rushed. Not sloppy.
They planned.
The place has a smell, too—old smoke, oil, damp wood, and something faintly human underneath it all. Soap, maybe. Or coffee burned too many times in the same pot. It settles in my chest, unfamiliar and unsettling, because it feels like proof of life more than absence ever could.
Malek moves through it like he’s reading a map only he can see, eyes flicking to doorframes, to the ground, to the spaces between things. Not nostalgic. Not mourning. Just aware.
This wasn’t a hideout.
It was a home that understood the cost of staying ready.
We approach a cabin set just far enough from the others to feel intentional, tucked back into the trees where the light thins and the air cools a degree too much. The path to it is narrower, less worn, like fewer feet were ever meant to follow. Pine needles blanket the ground, damp and dark, muting our steps until the forest swallows the sound completely.
The cabin itself squats low and solid, logs darkened with age and weather, seams packed tight with old moss. The windows are smaller here, shutters drawn even now, wood scarred and reinforced like someone expected trouble but refused to advertise it. No porch clutter. No signs of comfort left out to soften the edges. Everything about it feels pared down to what matters and nothing else.
The air carries a faint, metallic tang—oil, old smoke, something sharp beneath it I can’t quite name. The quiet presses close, not empty, but watchful, like the space is holding onto things it hasn’t decided to give back.