Savage Saints: The Broken Hymn
Page 133
There is no question in her face. No why. No please. Only the terrible, steady understanding of someone who knows exactly what it cost me to come and never doubted that I would.
You came.
My chest tightens, but it isn’t panic and it isn’t grief. It is alignment, the same stillness that finds me right before a shot lands clean, right before the noise drops out and the whole world becomes exact. She isn’t broken.
I see it in the way her shoulders hold despite the pull of the chains. In the way her mouth is set—not clenched, not trembling. Neutral. Deliberate. The mouth of someone conserving strength because they know what it’s for.
That matters.
It matters more than the hymn threading through the walls, more than the smell of incense failing to cover rot, more than the pressure in the room as bodies lean forward, waiting to see what I’ll do now that I’ve seen her.
Because broken would mean triage.
Broken would mean improvisation.
This still has a shape. This can be finished.
I let my gaze take in the rest of her without hurry. The scrape on her knuckles. The dried blood at her wrist where the wire bit and didn’t let go. The way her boots are planted unevenly, weight favoring one leg, not from weakness but calculation. She’s managing the strain. Shifting it. Buying time.
For me.
I inhale slowly through my nose and the air tastes wrong—too warm, too sweet, like decay dressed up for company. I keep my face empty. I let them wonder if I’m afraid, if I’m shocked, if this worked.
Something settles inside me, and it isn’t rage because rage would make this sloppy. They have built this room for sloppy. They have staged my sister, carved him open, filled the air with blood and scripture, and waited for grief to drag me across the floor by the throat.
But grief is not the only thing they woke up in me.
This is clarity, the terrible, quiet kind that comes before a storm breaks, when the whole world goes still enough for you to choose exactly where the first strike lands.
Cass’s eyes flick once, down and then back up, so small anyone else might have missed it. I don’t. We were sisters before the world ended. We learned whole languages out of glances and kitchen silences and all the words we couldn’t afford to say out loud.
Don’t rush.
I wouldn’t insult her like that.
I don’t look at the chains again. I don’t look at the men holding the perimeter or the shadows where they think Malek is out of my sight. I keep my attention where it belongs, where it started, where it will end.
My sister is standing, breathing, still herself in the only way that matters, and I tip my head just enough for her to see what I can’t risk saying out loud.
I’m here.
Not only to save her, but to finish the thing that put chains on her and thought my love would make me predictable.
And for the first time since I crossed into this place, the room feels it—the shift, the recalculation, the moment the story they were telling themselves quietly loses its ending.
No one speaks, and no one dares to move.
I let the silence stretch because for one breath, one final breath, they still believe this room belongs to them.
I’m going to enjoy taking that from them.
The High Revelation stands near the window where the light comes in wrong—filtered through wire and dust and old smoke, thin enough to look like mercy if you don’t know better. His hands are folded at his waist, fingers clean in a place that stinks of iron and breath and long-kept suffering. The posture of a man who believes the world bends because he tells it how.
He turns slowly, and the smile is already there, waiting for me like it had been placed on his mouth before I ever stepped into the room.
He isn’t surprised.
That is what makes my skin go cold.