Bought and Pregnant by the Russian Bratva
Page 54
“Or what.” He doesn’t even lift his voice. “And what did it cost him, Yuri? New York. A wife. A seat at the table, and two clans butchering the calf and calling it an alliance.” His tired eyes hold mine. “A soldier takes a grand and gets an alley. A son betrays everything and gets a kingdom. You’re a man who knows the worth of things. Tell me the difference between those two. Go on. There’s one. One had the right blood. That’s the whole ledger. It’s the only one that’s ever balanced in your world.”
I’ve hunted a reason for a year, and here it is, and the obscene part is that it holds. I can find the flaw in any argument a man builds—as is my one true gift—and I turn his over and over in the dark of my skull and I can’t find the seam.
“So you bled both houses,” I manage. “For over a year.”
“Over the principle of him.” Flat. “I leaked Yuri, I leaked Zakharov, and I watched two great families chew each other to the bone hunting a traitor in their own ranks—and not one of you ever thought to look down. At the men who do your dying. Because it has never once crossed your mind that we cost anything to spend.”
“Then why tell me?” The words come up raw. “You want us blind, you keep your mouth shut and let me die not knowing. Why hand me the map?”
The tiredness wins at last. He stands, brushes off his slacks.
“Because I’m not supposed to be in this room.” He looks down at me, broken on a pipe in the rust and the damp. “Gallagher’s local color. The Vassilievs are the muscle, and they’re owed their flesh, and they’ll take it. I came to drop the last of what I know, and collect the last of what I’m owed, and then I walk into a country none of you can follow me into.” A beat. “I just wanted one of you to hear it from a soldier’s mouth before the end. Not a threat. A fact. We might be the men you don’t remember killing. But our lives were never worth less than yours. Somebody on your side should die knowing it.”
He’s telling me too much. Names, shape, the whole architecture of it, free—the way Ray gave it for free—and my gut reads it the way it read Ray’s. Nobody hands a dead man this much truth.
He walks to the door and doesn’t look back.
“They’ll be in soon,” he says, almost kind. “The Vassilievs. Try to last, Yuri. Your brothers might surprise us both.”
The door opens. The door shuts.
And I go back to the only thing that’s mine down here. The count.
They’re coming. I told you—the one job I’ve ever been any good at is being exactly where I’m needed, when I’m needed. So I breathe through the wreck of my ribs, and I keep it running, and I stay in the fucking room.
They’re coming.
I just have to still be here when they do.
Chapter 22 - Meera
I once watched my mother reset a greyhound’s dislocated hip in three minutes flat, and she didn’t say a single word the whole time. Narration is for people who need to convince themselves they know what they’re doing. The doing is its own argument.
I think about that a lot while I watch the Yuris go to war.
There’s no shouting. That’s what I didn’t expect—that the worst thing I’ve ever seen a group of people prepare for would happen in something close to silence. Men move through the estate’s lower rooms pulling cases off shelves, checking magazines, threading their arms into vests, and almost none of them speak, because they’ve done this so many times the choreography lives in their hands now and their mouths are free for other things. It is the most frightening competence I have ever stood inside of.
Miron is the still point of it, bent over a laptop with the crystal tumbler beside him, the grain-of-rice thing they cut out of my neck winking under the lamp. He hasn’t looked up in twenty minutes. When he finally does, it’s not at me.
“It’s been talking to a receiver this whole time,” he says to Trifon. “Same handshake, over and over. I can’t make the chip lie convincingly without more time, but I don’t need it to lie. I just need it to tell me who it’s been calling.” His finger taps the screen twice. “It’s been calling here.”
A location resolves on the map. I don’t understand the half of what he says after that—back-traced, narrowband, the uplink, a warehouse footprint southeast of the city—and it doesn’t matter, because I understand the shape of it. The chip in my neck spent a month telling these people where I was. Now it’s telling these people where they are. I wanted it burned. I’m so glad, suddenly, that nobody listens to me.
“That’s where they’ll have him,” Valentin says. Not a question.
Nobody answers it. They just start moving faster.
I don’t remember asking to come. I remember Trifon saying no, flat, the way he says most things, and I remember not arguing, because I’ve learned the difference between a man you can move and a man you can’t. What I did instead was stand in the doorway of the room they were leaving from with both hands flat on my stomach and say, very quietly, that the last thing the father of my child did on this earth was put himself between me and a door, and I was not going to sit in his family’s house drinking tea while they decided whether he got to be alive.
I think it’s Darya who tips it. She doesn’t say anything. She just looks at her brother with one eyebrow up, and some sister-shorthand passes between them that I’ll never be able to read, and Trifon exhales through his nose and tells me I will stay in the car. With Lebedev. Behind the line. Or I don’t come at all.
“I’ll stay in the car,” I say, and I already know it isn’t the truth.
***
The convoy goes dark a mile out. Headlights off, phones face-down, the whole long snake of us gliding through an industrial nowhere on memory and moonlight. Lebedev drives. I sit behind him with my seatbelt cutting a line across the place where, in seven or eight months, there won’t be room for it, and I count breaths the way I taught a frightened sixteen-year-old to count them before an exam. In for four. Out for six. It does nothing. My body has decided this is not a moment for oxygen management.
The compound is a low brick thing behind a chain-link skirt, the kind of building you’d drive past a thousand times and never once wonder about. That’s the whole point of buildings like this. I’ve learned that now.