that hurts to look at.
Then he comes to a standstill beside me.
He hesitates, probably thinking about a kiss to the forehead.
But thinks better of it.
“Yeah… safe flight, aight?
“We’ll talk when you get back.”
I should stop him.
But I don’t. I never fucking do.
It’s easier to watch the back of him
than count the knife wounds in the front.
41 / P.I.M.P.
50 CENT
// DEC 03, 11:43 AM - WASHINGTON SQUARE PARK - GREENWICH VILLAGE, NYC //
Washington Square’s loud as fuck.
A guy with a sax is playing the same three notes over and over. Tourists are getting hustled at chess. Some kid’s drumming a bucket for money.
I’m waiting for Celie on our bench, the one with our initials scratched in—a broke-ass lovers’ monument—checking my phone, then shoving it back in my pocket every five minutes.
I haven’t heard from Andrew since he dipped two nights ago, drunk and broke at midnight in Manhattan.
Mickey swore he got home safe—“Made sure he got in a cab. Paid up front, gave him my number. Didn’t seem like the type to ask for help, so I didn’t make a thing of it.”
Not like I’m losing sleep over it.
(I am.)
If I gave a shit, I’d’ve gone to Jersey and checked on him. Instead I’m left with the memory of him in my bedroom, looking at me as if I murdered him, and my body was the knife.
All I did was fuck somebody else.
And now somehow, I’m the monster.
Somehow, Saint Andrew made me feel dirty for playing the same game I’ve always played.
I should’ve burned Brandon’s letter.
Only reason it survived was because it said: I fucking love you, Allison.
And no matter how much I hate those five words, it was proof on paper that someone once thought I was worth the breath wasted to write them down, even if it came from the wrong heart.
Truth is, the words felt human.
Made me think maybe I was, too.
But I’m not.