Page 29 of Blood & Ruin


Font Size:

I think about that.

"Two days ago it came back." Her fingers press into the stone. "Different. Stronger than before she crossed. Like she'd found a frequency she'd only ever been broadcasting at half power." She studies her hands. "I came out here because when the spiral appeared, it pulled west. I followed it."

She stops.

"I didn't know if she was coming back at all," she says.

I study her profile against the dark oaks. The oaks move. No wind.

Every branch at once, a slow tilt toward the tree line, like something beneath the roots has shifted and the trees are adjusting to a new center of gravity. The sound they make is not rustling.

I'm on my feet before I finish processing it. Beside me, Mira rises in a single fluid motion, and then everything stops. Like the compound itself is drawing one breath and holding it.

The wards don't break. They simply part. Open. Like a door unlocking for someone who has the key.

The air changes first. Temperature dropping several degrees in the space between one heartbeat and the next. Then weight, the kind that pushes against the inside of your skull and doesn't let up. I feel it in my jaw. In the base of my skull. In the soles of my feet where the ground has started resonating at a frequency I've never felt from these wards before.

The oldest oak creaks. Not breaking. Settling. The way a house settles.

Then she walks out of the darkness between the trees.

The smell hits me first. Stone and deep earth and something green and mineral that doesn't belong to this continent, this hemisphere, this world. Another realm, still in her hair, her skin, the fabric of whatever she's wearing. The air around her carries a charge. The fine hairs on my forearms stand straight up.

Seraphina.

Same face. Same eyes. Same measured economy of movement. But the woman I knew could cut you.

This version could level the building.

The ground here hums, even in winter. Under her feet, it goes still.

She walks across the grass and the grass does not spring back behind her. Lies flat. Pressed.

She is seven hundred years old. For the first time, I believe it. The power coming off her presses against my skin like a static charge.

I take half a step back.

Maximus's hand closes on my arm. The cool of his fingers against the inside of my elbow. An anchor.

Mira gasps.

Her spine straightens. Her chin comes up.

She crosses the distance between them. Each stride faster than the last, her composure holding and holding and holding until it doesn't, and the last three steps are a sprint, and she hits Seraphina at full force.

Seraphina doesn't move.

Her arms come up. Close around her daughter. Mira folds into her, chin dropping to Seraphina's shoulder, and Seraphina's hands spread wide across her back, fingers gripping fabric. Her eyes shut. Her mouth moves against Mira's shoulder. No sound. Or none I can hear.

Just holds her. A long time.

Don't watch this.

I fix my attention on the spiral, the pulse of it still reaching us through the ground. Faint now. Warm. The vibration easing, a tuning fork finding its match.

Maximus stays beside me. We stand together at the edge of whatever this is, and he doesn't say a word, and I don't say a word, and the oaks are still tilted toward the woman standing in the grass with her daughter in her arms.

When Seraphina lifts her head, she keeps one arm around Mira and looks at us across the grass.