Font Size:

Theren appears at the door. He's already packed. He read the answer before I gave it, the way he always does, because fifteen years beside a man teaches you which silences mean yes and which mean not yet. This one was always going to be yes.

Corrine's face is focused, controlled, the fear pressed down beneath the discipline of a woman who has walked into worse and come out. But her eyes stay on me half a second longer than operational. Then I turn toward the door and the road east, toward a ruin I left screaming, with the only person alive who understands what it cost.

She will have to lead us through the deadlands. The territory around the fortress is hers. I will follow her into it the way she followed me: not because trust is simple, but because it is the only direction left that isn't backward.

19

CORRINE

We leave the third waystation before dawn with Vaelis' warning folded into Leoric's coat and the council's offer still hanging behind us like a door he chose not to open. No one says we are going back to Blackwater. They don't need to. Every mile east says it for us. The road stops being a road forty kilometers out, and that is where I take the lead. Leoric's people read patrols and sightlines well enough. But the land east of the Vareth lowlands doesn't behave the way trained land behaves. The ward-posts went dead before the ceasefire, and the seals leak just enough residue to confuse a caster's sense of distance. The old supply tracks have gone to scrub—too thick in the burned places where the ash fed it. I learned to walk through this when it was new. So I lead, and they follow, and I count.

I pass a fence post I marked six years ago and count the old cuts by touch. Four in, four out. The number holds, and I tell myself holding is the same as safe. It isn't. Out here I take what arithmetic I can get.

"You've slowed," Leoric says, low, from behind my left shoulder.

"Ground's bad. There's a runnel under the scrub."

I don't give him the other reason. He knows it anyway. He's learned the difference between my tactical slowness and the kind that arrives more often the closer we get—in increments I won't name, because naming them makes them real, and they are already too real.

The wind shifts as we drop into the second valley and carries nothing. No smoke, no animal, no water. The nothing is worse than any smell could be, because I know it. The way the land empties ahead of something large. The creatures clear out first. They always know before we do.

Four in, four out. The fortress is half a day off. I have time to be a professional about this.

We hold at an old quarry by last light—high walls, one approach. I walk the perimeter out of habit and find a rebel mark scratched in the cut face that no one alive would read but me. Two strokes and a cross. I left dozens like it across Protheka in a year when I believed moving people from one bad place to a slightly better one was the same as fixing the world.

Leoric finds me there. He doesn't ask what it means. He reads the strokes like a sentence he's close to learning.

"You're carrying something," he says. "Tell it here, where there's stone to put your back against, instead of out there where you'll need both hands."

He has learned me too well. It should frighten me. It does, but not how I expect, and that's the part I haven't set down since the cabin—the way the fear of being known has turned into something that wants to be known. I put my back to the cut face. The cold holds me where my spine won't.

"You asked once what I was shown before Blackwater. I told you I was shown enough. I want to tell you what I actually saw. The night of. A wall. The powder going in clean at the base course. Two sentries I timed for three nights. A sealed gate—which I read as them keeping people in and never once read askeeping people trapped." My hands find the cloak hem and I make them stop. "I never saw a prisoner. Not one. Not a face at a window, not a body, not a transport. Nothing. I built the whole night on people dying inside those walls, and the proof never came from anything I witnessed. It came from paper. From a man who taught me which paper to believe. For years I rebuilt that night, trying to put one face in one window—so the fire would have a reason that lived outside Gideon's reports." I make myself look at him. "There was never a face. I made the worst decision of my life blind, and called the blindness conviction, because it was easier to live beside than the truth."

The floor behind my eyes drops. My breathing comes out of the count and I reach for it, but it isn't there—only the top half of a breath that won't finish—and the smell arrives anyway, woodsmoke that isn't here and the other smell underneath it, and the screaming starts where it always starts, in my heart, three hours of it through the walls, men and a healer who was seventeen?—

"Corrine." Flat. Close. Not soft. "Look at the wall. You cut a mark in it. Tell me the strokes."

"Two." Thin, wrong. "Two and a cross."

"Top first or bottom."

"Top." I grab the edges of the word. "Top, bottom, cross. Left to right."

"Cut it in the air."

My hand shakes. He doesn't look at the shaking—he looks at my hand like it's information, not weakness—and I draw the strokes in the cold between us. The screaming goes behind the count, behind the strokes, where I can hear it without it being in my mouth.

"Count the watch. By position."

"Two ahead. Two behind with Theren. You. Four on the line. Eleven."

"Eleven. All accounted for."

In his mouth, with my own count handed back as a task instead of a comfort, it works. The shaking stops in my hands first and then everywhere. The smell goes back to being a memory of a smell. I am in a quarry, and it is now, not then.

He hasn't touched me. I realize that after. He stood half a meter away and gave me my own methods back, but never reached for me, because he understood that being held would have been a cage, that the worst thing he could do for me was the thing a softer man would have called kind. He read me exactly right.

I've survived the panic alone in worse places than this. He knew what to do, and did it without being asked, and this is not the first or last time. I have started to expect it. Expectation is how you build a life with someone. I came here to walk back into the place I destroyed, and somewhere it stopped being only that. I have spent so long making certain I never owned anything that couldn't be left behind in an hour.