Page 3 of The Glass Empire


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She stood up and offered me her hand. I took it, and she pulled me to my feet, and we stood together in the straw andwatched the calf find her feet for the first time. Mercy's legs were too long for her body, and her ears were too big for her head, and she was the most beautiful thing I had ever seen.

Then my mother coughed.

It wasn't a big cough. It wasn't the kind of cough that makes you stop and pay attention. It was small and quick, barely more than a clearing of the throat, and she turned her head away from me and covered her mouth with her arm the way she always did when she was being polite.

But I saw the way her shoulders tightened. I saw the way she braced herself against the stall wall, just for a second, like the ground had shifted underneath her. And when she turned back to me, her smile was the same as it had always been—warm and tired and full of something that looked like love.

But her eyes were different.

They were the same color. They had the same years. But there was something new in them now, something I didn't recognize. Something that looked like fear.

"Let's get you cleaned up," she said. "Your father's going to wonder where we are."

I let her lead me out of the stall. I let her pump water from the faucet by the door and scrub the blood from my arms with a bar of yellow soap that smelled like lye and lemons. I let her walk me back to the house, my bare feet cold on the gravel path, my hand tucked into hers like I was still small enough to need holding.

But I didn't stop thinking about that cough. I didn't stop thinking about the way her hand had pressed against the stall wall, like she needed something solid to hold onto.

And I didn't stop thinking about what she'd said, there in the barn, with the blood still wet on both our hands.

Some people run from the blood. You lean in. That's a gift and a curse.

I didn't know then what she meant. I thought I did—I thought she was talking about the calf, about the birth, about the messy, beautiful work of helping something live. But I was ten years old, and I didn't understand that the blood she was talking about wasn't always someone else's.

Sometimes it was yours.

Sometimes it was hers.

And sometimes, no matter how steady your hands were, you couldn't stop it from spilling.

That winter, the cough got worse.

It started small—a dry hack in the mornings, a clearing of the throat after supper. My mother waved it away when we asked.Just a cold, she said.Something in the air. She kept working. She kept cooking, cleaning, mending fences, pulling calves, doing all the things she'd always done, because that was who she was. She was the kind of woman who didn't know how to stop.

The fever came in February.

I remember watching her shiver by the woodstove, wrapped in three blankets and still shaking, her teeth chattering so loud I could hear them from across the room. My father carried her to bed. My sisters took turns sitting with her, wiping her forehead with cool cloths, coaxing broth between her cracked lips. I stood in the doorway and watched, and I didn't know what to do with my hands.

They were still steady. They always had been. But steady hands couldn't fix a fever. Steady hands couldn't stop a cough that sounded like rocks rattling in a tin can. Steady hands couldn't do anything but hang there at the ends of my arms, useless and clean and waiting for something they could touch.

The valley lost half a dozen souls that winter. The Andersons lost their youngest. The Parkers lost the grandmother. The Millers lost two—a father and his son, threedays apart. The fever swept through like a scythe, and it didn't care who was good or kind or needed.

My mother lasted longer than most. She was strong, and she was stubborn, and she had four daughters who weren't ready to let her go.

But in the end, it didn't matter.

She died on a Tuesday. I don't remember the date. I don't remember the weather. I remember the way her hand felt in mine—thin and light, like a bird's wing—and I remember the way her chest stopped moving, and I remember the silence that followed.

I was twelve years old.

I didn't cry at the funeral. I stood between my sisters in a black dress that didn't fit, and I watched them lower her into the frozen ground, and I thought about what she'd said in the barn.

You lean in.

I thought I had. I thought I had leaned into the blood and the pain and the messy, beautiful work of helping something live. But she was dead now, and I was still here, and my hands were still steady, and I didn't know what to do with that.

I didn't know what to do with any of it.

Mercy grew into a fine cow.