THIRTY-TWO
The early morning glow shone off the English Channel, and a hint of the morning’s first hues brushed the back of Justine’s shoulders as she drove the dirty white four-door west along the coastal road. She kept to the marked speed limit, read the signs carefully.
Her passenger seat and her backseat were empty except for several aluminum suitcases.
She motored alone, made a left in the coastal village of Longues-sur-Mer, did not speed up or slow down when a black helicopter swooped a couple hundred feet above her. It made a second pass and then a third before disappearing from her view, heading to the southwest.
She had the road all to herself for a while, but not long after the helicopter’s departure, a blue Citroën pulled behind her from a gravel lane to her left, dust and exhaust rising behind it. She chanced a glance into her rearview and saw nothing but bright headlights. They stayed close behind her for several hundred meters, and then the car pulled alongside. Justine gripped the thin steering column so hard she thought it would break off in her hands as a flashlight beam illuminated her,then scanned around behind her in the backseat. Then the light turned off, the Citroën pulled ahead of her, and she was certain she would see its brake lights come on, forcing her to stop. But the car sped away. Its taillights disappeared in the mist ahead after another minute.
After heading south for a few kilometers, she looked down at the map in her lap, noted the pencil marks Jim had put there for her. There was a left turn ahead, and she took it after flipping off her lights. The narrow road ran straight; thick hedgerows reached high on each side of her. After three minutes of driving through the darkness, the road turned to the south, but she slowed, bumped the little car off the pavement, and revved the engine just enough to send it into a deep thicket.
A large stone wall rose from the ground on the other side of the thicket, three meters high. From her view, it filled the windshield and seemed to reach up into the infinite sky. She bumped the sedan’s front bumper against it and turned off the engine.
It was nearly pitch-dark here with the high trees on either side of the narrow road. Quickly, she climbed from the driver’s seat. She was careful not to slam the door behind her. She knocked four times slowly on the trunk of the Fiat, a prearranged signal that all was well.
A moment later, the trunk lid lifted. Jim looked up at her from his tight squeeze inside, an empty paper coffee cup by his side and a black rifle in his arms.
“No problems?” he asked as he slowly climbed out. She could see the pain on his face that came with the movement’s effect on his injuries. He left the rifle in the trunk of the car,walked around to the side, stretching out after suffering the cramped confines of the trunk.
“There are men around. In a car and in a helicopter. I am sure there are more inside the property. They must think you are a very dangerous man to have so many people waiting for you,” Justine said as she stood behind the car in the road.
The American had pushed through the tall bushes on the passenger side to pull open the door to the backseat. “My reputation is exaggerated.”
“What?”
“Never mind. I want to thank you for all you’ve done. You’ve earned every cent of that money. I could not have done this without you.”
Justine smiled in the low light. “You haven’t really done anything yet, Jim.”
“That’s a fair point.”
“How do you feel?” she asked.
“Like I just downed a triple dose of speed with a double espresso. Your stitches are holding fine.”
Without warning, a car’s headlights raked over Justine’s body. She turned to look to the light, then quickly she spun back to look to Jim for guidance, but he was gone.
Seconds later, the blue Citroën pulled to a stop behind her, and four men quickly climbed out.
Justine stood in the bright light and raised a hand up to shield her eyes. The light washed over her, and she felt naked in the bright beams. The four men moved in front of the lights and were silhouetted in them. She saw the profiles of long guns in the men’s arms. Someone shouted at her, but she did not understand, and she could not speak. Instead, shelooked to her left and to her right, into the predawn’s dimness all around.
Somewhere in the safety away from the shafts of light, she knew Jim had run away and gotten free from the men in front of her. She thought he must have somehow made it over the stone wall. He’d left her here to explain the trunks of equipment in the car and to come up with some plausible reason she should be right here right now.
The terror in her body threatened to burst her heart open inside her chest.
“Bonjour,”she said to the four silhouettes, her meek voice little more than a whimper.
The figures moved closer to her as one, guns still pointed forward.
Fifteen meters, ten meters, the shadows converged as they closed.
Then the steady movement forward of the silhouettes changed suddenly, a fast shadow from the left, a profile turned towards the movement, the shape of a long gun beginning to rise and then a cry of surprise from the specters in front of her as one tall figure crumpled into a ball.
Quickly she backed up, bumped into the trunk of the car, watched the dancing movement of light and dark in front of her. Through the confusion on the road she distinguished the outlines of arms and legs as punches rained down and kicks flew, guns spun free through the air and clanked to the dusty gravel amid the shouts and cracks of fists on flesh and bone on bone.
A second figure dropped and stilled, this one flat under the headlights’ beams. She saw that it was not Jim. Moreconvergence of shadows in the rising dust cloud, and a man’s outline wrapped its dark appendages around the head and neck of another profile and spun, lifted the silhouette off the pavement, and Justine heard the snap of a neck as cervical vertebrae shattered from obscene torsion.
Justine had seen fistfights on television action shows. This was nothing of that. The movements were faster, more brutal, crueler. There was no ballet or poetry in the relationship between the adversaries, no choreography. No, it was unyielding surface on unyielding surface, the jerking reactions and the grunts and cries of wild beasts, labored breathing from exertion and panic. The sounds of cracking impacts and the frenzy of a combat so pitiless, she was sure all the men would tear to pieces in the street in front of her.
