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“I expect you do.”

“I’m not using them.”

Teresa doesn’t answer. She doesn’t need to.

I close the file. That’s the first physical action that feels like a decision instead of a reaction. The paper settles. The room absorbs it.

“I need something that’s mine,” I say.

Teresa tilts her head slightly. Not confusion. Assessment. “You have things,” she says.

“I have objects,” I correct. “Clothes. Books. Documents. None of them change the structure.”

“No,” she agrees.

“They move with me. They don’t anchor me.”

I look at the walls. The furniture. The arrangement. Everything placed before I arrived. Everything designed for function, not for me.

“I want to change it.”

That gets her attention. “Change what?”

“The room.”

A pause.

“You have permission,” Teresa says carefully.

“This isn’t about permission.”

No answer. Good. She understands the difference.

“I’m not preparing to leave,” I continue. “I’m not keeping things minimal. I’m not?—”

I stop. There isn’t a word for it that doesn’t sound like surrender.

So I choose a better one.

“I’m staying.”

Teresa studies me for a long moment. “Good.”

“I want this room to reflect that,” I say. “Not comfort. Not decoration for the sake of it. Structure. Placement. Intention.”

“What would you change first?”

I stand. Slowly. The twins object less when I move deliberately.

I walk to the window. Test the lock out of habit. Still secure.

Of course it is.

“The bed,” I say.

Teresa follows my gaze. “Position?”

“Yes.”