Page 12 of Dante


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He didn’t say good morning. He just set the kettle on the burner and waited for it to boil, and when it boiled, he poured the water over grounds in a metal filter that sat on top of a mug, then did the same with the second mug, and placed one on the edge of the desk nearest to my chair.

I picked it up.

The first sip hit my mouth and I almost said something. Almost. The sound got as far as my throat and I swallowed it back down with the coffee, which was rich and dark and tasted like it had been made by someone who gave a damn. Miles from the gas station. Miles from anything I’d tasted in Harlan Creek. The warmth of it spread through my chest and I held the mugwith both hands and drank again, and the small involuntary softening in my face was something I couldn’t stop and he couldn’t see because he was already at the desk.

He talked while he typed. Same flat delivery as the parking lot, same economy, but organized now — structured. A briefing. That was the word for it, though I didn’t know it yet.

“The Diablos have been running protection in Harlan Creek for about six months,” he said. “Businesses along the main strip. The bar, the general store, a few others. What they wanted from you was bookkeeping — someone local to clean their numbers, someone who wouldn’t ask questions.”

He paused. Not for effect. He was pulling something up on the laptop.

“You refused. That makes you a problem. Not a large one — not yet — but Pitt doesn’t forget, and the man he works for doesn’t tolerate loose ends. Going back to the bar isn’t safe. Your room above it isn’t safe. They know the layout. They know where you sleep.”

Each sentence was a line in a column. I could feel the total forming.

“You can stay here as long as you need to. The cabin isn’t on any lease, doesn’t come up in any search connected to Harlan Creek. I’m working on the situation. When it‘s resolved, you’ll be able to go back.”

He said working on the situation without elaboration, the way you’d say fixing the roof — a fact about a project in progress, details not included.

“Or,” he said, “you can leave town. But they operate along the whole corridor. Small towns, mountain routes. Moving doesn’t guarantee they lose interest.”

He stopped typing. Looked at the screen.

That was the briefing. Beginning, middle, end. I sat in my chair with good coffee cooling in my hands and ran the numbers he’d given me.

The credit union in Pueblo held what little I’d saved from the bookkeeping. Not even a thousand dollars. Enough for a bus ticket and maybe three weeks of eating. Not enough for a life. Not enough for a start. Not enough for the thing I’d been building toward in increments so small they barely registered — the direction without a destination, the savings account that was supposed to mean freedom someday.

And even if I had the money, even if I emptied the account and bought a ticket and landed somewhere new with a bag and a plan — I had done it before. I had done it so many times. Nine years old, twelve, fifteen, eighteen. A new town, a new room, a new set of sounds to learn and doors to check and people to read. The same inventory, the same mapping, the same exhausting first weeks of being no one and proving yourself useful enough to keep.

I was twenty-four. I was so tired of starting over that the thought of it sat in my stomach like a stone.

“I need to get my things,” I said. “From the room above the bar.”

“Get new ones.”

Three words. He didn’t look up from the screen.

“I can’t replace them.” My voice was tighter than I wanted. “There’s a box — under the bed. It’s not something you buy twice.”

He looked at me then. His eyes were dark and steady, and whatever he read in my face — and he was reading it, I could feel him reading it — made something shift behind his expression. Not softening. A recalibration.

“Under no circumstances,” he said, “should you go back to that building.”

The sentence had a weight to it that closed the conversation. Not an order. Something harder to argue with — a perimeter drawn in the air between us, clear and quiet and absolute. I wanted to push against it. My whole body wanted to push against it, the way it always wanted to push against anything that had the shape of a cage, no matter how well-intentioned.

I didn’t push. I sat with my coffee and stared at the maps on the wall and said nothing.

He went back to his desk. I lasted twenty minutes.

Twenty minutes of sitting still, which I don’t do. Can’t do. Stillness is a luxury for people whose minds don’t run columns in the background. I sat in the wooden chair and looked at the maps and the maps looked back, and what I saw was a mess.

Not a disaster. The information was good — elevations, access roads, sight lines marked in pencil. He’d been thorough. But the cross-referencing was all by hand, pencil notes in the margins, arrows connecting points across different sheets with no index, no legend, no system that anyone but him could navigate without a translator. I could see his logic — it was there, consistent, internal — but it made me itch.

I got up. Crossed to the desk. Found the printer tray and pulled a sheet of card stock from it — just one, cream-colored, the kind you’d use for a professional letter. I tore it into thin strips. Found a biro in the cup beside the laptop. Blue ink.

Four categories. I colored the tab edges: solid blue for locations confirmed, hatched blue for unconfirmed, a small X for cameras, a circle for points of interest I couldn’t identify but assumed he could. I started at the top-left map and worked across.

The work was clean. Immediate. Numbers and locations and the pure mechanical pleasure of imposing order on information that wanted to be orderly and hadn’t been given the chance. I lost time. The morning moved around me and I didn’t track it— the light shifted, the coffee went cold, the scanner muttered its nothing, and I moved tabs and relabeled margins and cross-indexed his pencil marks against each other until the wall made sense.