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The floor seemed to shift beneath Bastien’s feet. Marked before the murders started. The two events were not cause and effect—they were parallel operations, coordinated by someone who had planned for both.

Every action he had taken since the first body required reassessment. Every crime scene he had visited, every faction member he had spoken with, every movement through the city had been observed. His investigation had never been private.His conclusions had never been secret. Whoever placed this curse had watched him work, had measured his progress, had known exactly how close he came to understanding before he understood it himself.

“The curse does not cause the murders,” he said, testing the shape of the truth.

“No. It exposes you. Makes you visible to anyone with eyes to see. And while you investigate the murders, while you move through the city following the trail of blood, every faction in New Orleans can track your progress.” Maman’s voice carried the low timbre of someone delivering news she wished she did not have to deliver. “You have become bait, cher. And distraction.”

Bastien stood and paced the narrow aisle between Maman’s shelves, his mind working through implications faster than his body could move. He pulled his sleeve back down as he walked, the fabric falling over the mark without concealing its warmth.

The beacon curse guaranteed that anything with magical perception could locate him, could monitor his movements, could observe his investigation in real time.

While he chased murders through the city’s neighborhoods, while he documented sigils and traced bloodlines and arrived too late to save the victims, his attention remained fixed on the dead rather than on whatever else might be occurring in the spaces he was not watching.

And the murders themselves served multiple purposes. They destabilized vampire politics by targeting descendants of historical bloodlines. They forced Bastien into an investigative role that kept him moving, kept him visible, kept him moving. They provided the ritual signals that his mark received, strengthening the curse’s hold with each body discovered.

He was not investigating these crimes. He was participating in them.

“I’ve been a tool from the beginning,” he said.

“You have been made one. There is a difference.” Maman rose from her chair and moved to stand beside him. Her hand touched his arm—his left arm, over the mark—brief and warm. “Someone studied you. Learned your patterns. Understood how you would respond to bodies left intact, to historical symbols, to crimes that touched vampire society without being vampire crimes. They built a machine, and you are one of its components.”

“The killer and the curse-caster.”

“May be the same person. May be coordinated. May be entirely separate actors serving the same architect.” She withdrew her hand. “I cannot tell you that with certainty. What I can tell you is that the curse requires intentional casting. Someone chose to mark you. Someone planned for this.”

“Can it be removed?”

“Not easily. Not quickly. The construction is sophisticated—multiple anchors, multiple fail-safes.” She met his eyes with the unflinching directness that made her counsel valuable. “I can work to contain it. Shield its broadcast, reduce its range. But full removal will take time and knowledge I do not yet possess.”

“How long?”

“Weeks. Perhaps months. I need to study its architecture before I can dismantle it without triggering whatever defenses its maker has embedded.”

Weeks. Months. During which time he would remain the loudest signal in the city, visible to every power that might wish him harm, watched by factions that had respected his distance but would now question his neutrality. And Delphine—moving through her days at the Archive, brushing past him in the evenings, her hand landing on his forearm without knowing what lay beneath the sleeve—all of it observed by anyone with eyes to see.

He would need to be cautious. More careful than he had been. The thought of whatever watched him now watching her alongside him had an edge that had nothing to do with professional caution.

“The murders will continue,” he said.

“Almost certainly. Whoever is killing follows their own timeline, and that timeline does not depend on whether you are investigating or not. Your involvement was desired, not required.” Maman moved back to her table, gathering the photographs he had brought. “But now you know the shape of it. You can adjust your approach.”

Four murders in five days. Eight bloodlines remaining from the 1847 tribunal, if the pattern held. Something burning beneath his sleeve that drew every trained eye in the city. And somewhere, someone watching it all unfold exactly as planned.

“The murders are the opening move,” Bastien said.

Maman looked up from the photographs. “What makes you say that?”

“Because they are too visible. Too deliberate. Bodies left intact when they should disperse. Sigils carved with historical symbols. A pattern that anyone with access to the right records could eventually trace.” He felt the truth crystallize as he spoke it. “The killer wants to be found. Not immediately, not easily, but eventually. These murders are meant to be solved. They are meant to occupy attention while something else occurs in the spaces no one is watching.”

“And the curse on you?”

“The same function. Keep me visible. Keep me moving. Keep everyone’s eyes on the fallen angel investigating vampire deaths while the real work happens elsewhere. I am not the detective in this story. I am the board on which the game is being played.”

Maman considered this for a long moment, her fingers resting on the edges of the photographs. When she spoke, hervoice carried something that might have been respect or might have been grief.

“Then what will you do?”

Bastien gathered the photographs and his notebook, returning them to his jacket’s interior pocket. They pressed against his chest, four faces he had failed to save.