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You keep what you can hold, she told me once at two in the morning, with wax on her hands. The rest belongs to the house. Gleb has spent two years betting that the house is him. He’s about to put real money on it.

I put my feet on the desk. I wait for the morning to tell me what it costs.

21

SEVASTIAN

Gleb stops testing me one morning and starts trying to kill me by that afternoon. He does it everywhere at once.

The morning starts ordinary. Espresso, reports, the city out the glass minding its own business in the early sun. I have time to notice the coffee’s good before the phone goes.

The first call comes at nine. A currency storefront on the east side, one of my laundry fronts, burning to the foundation with two of my men still inside. I’m still getting the shape of that when the second call comes. A convoy moving product up from the south, hit on a stretch of empty highway by men who knew the route, the timing, the exact count of guns riding with it.

Three dead before the survivors could even return fire. I’m standing in the penthouse with a phone in each hand, watching my morning come apart in real time, when the third thing happens. The third thing is the one Gleb actually wants me to feel.

He hits the casino.

Dust to Dust. My house, my seat, the gleaming public face of everything I am, in the middle of a business day with the floor full of civilians. Two of his men walk in past security that should have stopped them at the door. One of my floor bosses goes down on the black marble with a hole in his chest.

His name is Gennady. He’s worked my floor eleven years, comps the old ladies’ breakfasts when corporate isn’t looking, and he dies under a painted heaven before the second scream gets organized. The room turns to screaming and stampede, a body cooling under the painted cathedral ceiling while four hundred tourists trample each other for the exits.

The whole property drops into lockdown. My palace, the thing I built to look untouchable, stuffed full of police, panic, one of my soldiers dead on the floor where the whales play. The gaming commission calls twice. My lawyers call the gaming commission. Somewhere in the middle of it a junior floor manager throws up in a trash can, apologizes to me personally, then goes back to work, and I make a note to promote him.

By noon I’ve lost six men and a building. The war I spent two years trying to talk both sides out of has arrived in full.

There’s a particular thing that happens to a man when his certainties start coming down around him, and I feel it begin in the penthouse with those two phones in my hands. Espresso going cold on the glass, and eleven miles east, a block I own putting smoke on the skyline. Dust to Dust was never supposed to be touchable.

That was the entire point of it. A casino is a fortress that calls itself a party, cameras on every square foot, armed men dressedas pit bosses, a hundred small redundancies between a threat and the floor. Gleb walked two men through all of it like it was a bus station. Somewhere in my house is the man who drew him the floor plan.

I can feel the page missing. He wanted me to understand that nothing I own is safe, that he can reach into the brightest, most public, most defended room I have, leave a corpse on the marble in front of four hundred witnesses, and walk his people back out into the daylight. Message received. He’s not here to bleed me slowly anymore. He’s here to take the whole thing, and he’s willing to set it on fire to do it.

I run it from the war room under the casino, the count room’s uglier cousin, a windowless concrete box with screens on every wall. It smells like burned coffee, gun oil, men working through fear. For hours I do the only thing there is to do, which is hold. I move men. I close gaps.

I get our people off the streets, our guns pointed the right way, our dead handled before the police can turn them into a story. I keep my voice level and my face still while the room around me runs hot, because the second the pakhan looks rattled, the whole structure starts to come down.

I have not survived this long by looking rattled. There’s a trick to it. You slow everything down, the voice, the hands, the breath, until the room takes its tempo from you instead of from the fire. My father taught me that with his fists.

I use it anyway. Good tools don’t care where they came from. My men’s eyes keep coming back to me, checking that the one steady thing in the room is still steady. What they need from me isn’t anger, isn’t grief, just the appearance of a man who has alreadyseen the end of this and knows we come out the other side of it. So that’s what I give them, whether I believe it or not.

I send Kir’s brigade to lock the LA-facing routes. I send another to sit on the survivors of the convoy in case Gleb tries to finish what he started. I order the storefront let burn, because there’s nothing left in it worth a single living man, and I add the two who died in it to a list that’s getting long today.

Roma appears at my shoulder somewhere in hour five with a plate I didn’t ask for. “Eat,” he says. The pakhan gets one word today. Everyone’s rationing.

The body count climbs on both sides through the afternoon. We give back worse than we got. By dark we’ve answered in kind, which buys back exactly none of the morning. We find one of the casino shooters in a motel off the Boulder Highway, and he does not make it to a conversation. The men who found him wanted me to know it was quick.

I didn’t ask whether that was mercy or scheduling, and they didn’t volunteer. That is the closest thing to satisfaction the day provides, which is to say not very close at all. None of it feels like winning. It feels like bailing a boat with both hands while someone I can’t see keeps drilling holes in the hull.

Underneath the holding, cold and clear, a worse thing is forming.

The strikes are too good. That’s what I can’t get past, even with the building burning and the bodies stacking up. Gleb didn’t get lucky three separate times in one morning. He hit the storefront that mattered. He took the convoy on the one stretch with no cover. He walked men past the one security gap I’d been meaning to close for a month. Every blow fell exactly where itwould hurt most and cost him least. Nobody fights like that from the outside. Somebody on the inside is drawing him the map.

There’s a traitor in my house.

I’ve half-suspected it since the stash-house raid, the one that went loud because they were sitting there waiting for us. I told myself then I couldn’t be sure. I’m sure now. Nobody beyond these walls knows the things Gleb used today. The routes. The schedules. The soft spots in my own security. The number of men on a convoy nobody outside my circle should be able to count.

That came from a table I sit at, from a mouth I trust, from one of the handful of people who carry my whole operation around in their heads, and the thought goes down in me like swallowed glass. I have spent my entire life keeping that circle small exactly so this could never happen. It happened anyway.

I don’t know who. The chaos is too loud right now to hear one false note inside it. Today is all smoke, triage, a dead man on my marble. A hunt for a traitor needs the opposite of all that. It needs quiet. It needs patience.