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I learn all of this because I'm here for all of it.

Three days in, and I haven't missed a single one.

My alarm goesoff at 4:50 AM.

The phone alarm I'd turned off after the first morning because in the dead silence of a hospital room at night — just the machines and his breathing and the corridor light bleeding through the half-open door — the sound was obscene. Ethan stirred. And the last thing I need is him asking why I'm awake before five. So now it's the silent vibration alarm, the one I set on my watch, the one that buzzes against my wrist like a secret between me and the terrible fluorescent dawn.

I slide out of the recliner the nurses brought in on day two. It's better than the plastic chair but only technically — like how a paper cut is better than a splinter, in that you can still feel both of them in the morning. I take my bag into the bathroom down the hall. Not the one in his room. I tried that once and the light was too loud and the mirror was too small and I could hear his breathing change through the door, and doing my makeup while listening to someone sleep felt like a kind of trespass I wasn't ready to name.

Foundation first. Light coverage — enough to erase the shadows under my eyes but not enough to look like I'm wearing foundation to a hospital. Concealer where the sleep deprivation has left bruises. A touch of mascara. Lip balm that has a faint tint I can claim is just hydrating. The whole operation takes eleven minutes. I've timed it. I used to take forty-five minutes for a brunch date. This is the stripped-down, wartime version of my face — the one that saysI woke up like this, naturally glowing, definitely slept eight hours, no I don't need your concern.

I check the mirror. The girl looking back at me is convincing. She looks like someone who has it together. She doesn't look like someone who was awake until 2 AM replying to client emails from a hospital recliner and then lay in the dark for another hour listening to the machines beep and wondering if this was what her life was now.

Good enough.

I slip back into the room. His jacket is hanging on the back of the recliner where I left it — I brought it home on day one to wash it and brought it back and he didn't say anything about that and I didn't explain. He's still asleep — or doing his version of sleep, which involves one arm thrown over his eyes and his mouth slightly open and a deep, steady rhythm that sounds deliberate, like even unconscious he's managing something.

I sit down. I open my laptop. I have three emails from a client named Derek who needs his restaurant logo revised for the fourth time and doesn't understand why changing the font from Helvetica to Garamond doesn't qualify as aminor tweak.I start typing a reply that is polite and professional and doesn't contain the sentenceDerek, I am writing to you from a hospital room where a man I haven't even called my boyfriend is recovering from a broken pelvis, and your font opinions are not currently my top priority.

I delete the draft. Start again. Nicer this time.

Maman comes every day.

That's what I call her now. Not in my head — in my head she's stillEthan's mother,orMadame Morin,orthe woman who hugged me so hard my ribs creaked and something inside me broke open that I still haven't fully closed.But to her face, she's Maman. Because that's what Ethan calls her, and she introduced herself to me by grabbing both my hands and saying,Tu peux m'appeler Maman, tout le monde le fait—you can call me Maman, like everyone else does — and I nodded because the alternative was explaining that I don't actually know what I am to her son.

She brings food. Not hospital food — real food, arriving in Tupperware containers with masking tape labels in herhandwriting.Tourtièrethe first day. Shepherd's pie the next. Something with lentils after that, which she callssoupebut that could anchor a boat.

"Mange, mange," she says to me — eat, eat — pressing Tupperware into my hands before I've even said hello. "T'es trop mince." Too thin, apparently, and therefore a problem Tupperware can solve.

I eat the tourtière. I tell her it's delicious. It is delicious — or it would be, if my stomach weren't a closed fist from three days of vending machine coffee and stress and the nausea of pretending everything is fine when it isn't. But I eat it. I smile. I saymerci, c'est tellement bon, and she beams, and I feel like the worst person in this building, which in a hospital is a competitive category.

This afternoon she sits across from me in the visitor's chair while Ethan sleeps, and she watches me type. My laptop is balanced on my knees, and I'm adjusting Derek's logo for the fourth time, and she leans over and says, in that gentle, conspiratorial voice:

"Tu écris un journal?"

She thinks I'm writing in a journal. She thinks the girl typing furiously on her laptop at her son's bedside is processing her emotions through the written word, like a character in a novel, and not invoicing a man named Derek for a brunch menu redesign.

"Something like that," I say.

She pats my hand. "C'est bien. It helps to write things down."

I close the laptop. Because if I keep typing while she's being this kind to me, I'm going to have to explain what freelance graphic design is, and then she's going to ask if I'm working while her son is in the hospital, and then I'm going to have to explain that yes, I'm working while her son is in the hospital because rent doesn't pause for pelvic fractures and my clientroster doesn't include asorry, my sort-of-boyfriend got hit by a carclause in the terms of service.

So I close the laptop and I talk to her about Ethan as a child, and she tells me about the time he was eight and tried to rescue a cat from a tree and fell out of the tree and the cat walked down on its own, and I laugh, and it's real, and for about four minutes I forget I'm performing.

Then she says it.

Not loudly. Not like an announcement. She says it the way you tuck a napkin under someone's plate — a small, practical gesture that happens to rearrange everything.

"Tu sais, Nora — tu n'as pas besoin d'être si polie avec nous. Relax."

You don't need to be so polite with us. Relax.

It lands somewhere between my ribs. Not hard — more like a finger pressing on a bruise you didn't know you had. Becausepoliteisn't the word she means. She meanscareful. She meansmeasured.She means the version of me I've been presenting to this family since I walked into this hospital — the competent one, the steady one, the one who handles everything and never drops anything and is always, always fine.

She can see it. She's not even trying to see it and she can see it.

I open my mouth to say something —merci,orI'm just tired,orthis is actually how I am, I promise— and Camille walks in holding a giant plush firefighter emoji pillow and says, "Look what I found on Amazon. It took two days to ship and I have zero regrets," and the moment cracks open into laughter and Maman rolls her eyes and the conversation moves on.