Page 45 of Reckless Heir


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"Don't stand at the pit wall again," he says.

He turns and walks back toward the garage.

I stay where I am for a long moment.

My heart is doing something that hasn't fully settled yet from the trace going sideways on the screen. Or from this. It's hard to attribute the current internal situation to a single cause.

When you exist. I can't stop noticing.

He said it like it was weather. Like it was a fact about the environment that he was reporting rather than something that was happening to him specifically in relation to me specifically.

He said it.

I press my back against the wall he just vacated — the wall he put his hand against, which is warmer than the surrounding stone and probably my imagination — and I think about what it means that a man who chose every word of the contract with a precision that would do credit to a lawyer said three unplanned words in a paddock corridor that he then walked away from.

He brought me to Miami. He put me on the pit wall where he could see me.

He said it was a mistake.

Both of those things are true.

I think about the gap year. About the weekly surveillance packets he was receiving while I was in Florence and Bali, believing myself free. About the margin note in his file that Dante didn't know about and that I've only guessed at from the shape of everything that followed.

When you exist,he said.

He's been noticing since eighteen months before I walked through those gates.

The most terrifying part isn't that he said it. The most terrifying part is that I understand it — that I know what he means, that I have a category for it, that I have been noticing him existing in exactly the same way and have been filing it under something I'm not ready to name.

I push off the wall.

The paddock is full of noise and movement and a race that will happen tomorrow. I find my way back to the pit wall where I'm supposed to be.

I put the headset back on.

I watch the screens until the session ends and I can read most of what I'm seeing.

I can't stop noticing.

Neither can I.

I have been not-stopping for weeks.

The hotel is quieter than the circuit. Same city, different register — the race weekend Miami, which runs on noise and sensation, and then the room above it, sealed and climate-controlled, where the noise is filtered to a distant hum.

I sit on the edge of the hotel bed with my shoes still on and I stare at the carpet.

When you exist. I can't stop noticing.

He said it and then walked away from it, which is the specific move of a man who has been managing something very carefully and had one moment of failure to manage and is now re-engineering the container. I know this move. I've watched him execute it across weeks — the poured tea, the pause outside the door, the moments where something comes up in him and he files it before it surfaces fully. This was the first time something made it all the way out.

The question is what it means that it did.

I think about the gap year. Twelve months in which I believed myself free — in which I walked through foreign cities and learned a language and got ink put in my skin and thought the distance was real. Twelve months in which a surveillance team was following me, sending packets to Moscow, to a man who was reading them and keeping them filed.

Fifty-four photographs. He deleted fifty-three.

I figured this out three weeks after arriving at St. Gabriel, from the pattern of what he knew and what he didn't — the things he referenced that I'd never told him, the specific detail of a story he used once in a seminar context that could only have come from a report. Someone was watching me. The gap year wasn't freedom. It was a leash on a longer lead.