Page 10 of Dark Bargain


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Heat still rising from the pavement even after dark, the kind of warmth that gets into your skin and stays. Neon bleeding across the sidewalk in strips of pink and gold. Bass from a car at the intersection, felt before heard. A group of women in heels moving past me in a cloud of perfume, laughing at something I don't catch. The city hums with its own hunting energy, indifferent to mine.

I walk. Not fast — I don't have a reason to hurry. The man…Master…is gone. The meeting is over. I'm heading back to a cash motel with a stained ceiling and a lock I'll check twice, and in a few days I'll be frightened for money, and that's —

Three blocks from the Setai, the prickling starts.

Back of my neck. Small and certain, the way a sound in a dark room is certain even before you understand what you've heard. An animal thing, instinctive, older than thought.

I'm being watched.

I glance back. The sidewalk is full — couples, tourists, a man on a bicycle, a woman walking a dog. Neon catching the wet pavement from somewhere I can't see. Nothing focused on me. Nobody looking.

I face forward.

Keep walking.

The feeling doesn't go away. The shadows between the streetlights deepen, seem to hold shapes that shift when I try to look directly. Every footstep that isn't mine echoes wrong. I scana doorway. Then an alley mouth. Then the dark slice between two parked cars. Nothing. No one.

Tonight was just a conversation.

His voice in my head. The pause before he says it. The flicker in his eyes when I asknot tonight?

The realization arrives like cold water: the session has already started.

I'm hunting through neon and shadow for a man I can't see, and he's already hunting me.

I walk faster.

Not running — I don't run. But my stride lengthens. My pulse climbs. The city stops being a backdrop and starts being a series of threats. The doorway I pass. The alley I don't look directly down. The dark-colored car idling at the curb. My body does the work before my mind catches up, adrenaline arriving quietly and then all at once, flooding everything.

My heart is loud. I can feel it.

I reach the motel parking lot. The fluorescent light above the office is buzzing — I hear it distinctly, which means my hearing has sharpened, which means the fear is real, which means —

I take the stairs. My hand finds the railing and I'm aware of every step, every angle, every shadow the walkway railing throws. My key card is already in my hand, which I don't remember deciding.

My door is at the end. Room twelve. I look up.

Master is already there.

Leaning against the wall beside my door, arms crossed, completely still. Not tense — he looks like a man who's been waiting comfortably for a long time. Like he belongs there more than I do.

He beat me here. A different route, a faster one, some knowledge of this city I don't have.

My pulse is slamming. My breath is short. My face is flushed — I can feel the heat in my own skin, the warmth climbing my throat.

He looks at me, and it isn't the assessing gaze from the bar. This is different. This is a man taking inventory of what he's made: the racing pulse, the shallow breath, the slightly wild look I can't hide because I'm not trying to. He sees every bit of it. Files it. Says nothing.

"Goodnight, Wren."

My name in his mouth. That's the whole move — my name, my motel, my door. He knows things about me that I don't give him, and he chooses to use that knowledge to stand by my door and say goodnight. Not to touch. Not to threaten. Not to take any of the hundred things he could take, standing here in this empty walkway with no one around and all the power already in his hands.

He chooses this. Two words and a departure.

He pushes off the wall — a single, unhurried movement — and walks away. Down the stairs, across the parking lot. The dark takes him and he's gone.

I stand frozen at the end of the walkway. My hands are shaking. Both of them. I look at them like they belong to someone else, the key card still gripped too hard.

The power is entirely his. He demonstrates it by choosing not to use it. That's the whole thing, distilled: a man who could do anything, deciding to do nothing, making sure I understand exactly what that decision means.