She sighs and puts the card back in the drawer.
Then she turns and jumps. Josh is standing in the doorway. He is wrapped up in a towelling dressing gown; his hair is rumpled. ‘Why are there loads of police outside?’ he says.
‘Don’t really know,’ she replies. ‘Something to do with that missing girl, maybe. They’ve found something in the building site, got forensics in there.’
‘Really?’ he says, wandering back to the hallway, into Cate’s room, peering through the window. She follows him. The back of his neck is raw from a fearsome haircut the day before, thePeaky Blindershaircut all the boys seem to be getting these days that makes their heads look too big for their bodies.
She stands behind him at the window. They both watch as a man and woman in plain clothes exit the entrance to the site holding plastic boxes. The police manning the cordon pull it back for another police vehicle to pull in. Two more people get out. One of them Cate immediately recognises as the detective who’d sat on her sofa the day before, the one who’d asked so very specifically about where she’d been at midnight on Valentine’s night. There are fifty streets between Alfred Road, where Saffyre lives, and the village, where she told her family she was going. A thousand houses. Tens of thousands of people. Yet the police chose her doorbell to ring, her sofa to sit on, her whereabouts to ask after and now the building site opposite her house to investigate. Not to mention the fact of her husband’s relationship to the girl they’re trying to find.
She and Josh both crane their heads upwards as the sound of helicopter blades starts to rumble and boom overhead.
‘Reporters,’ says Josh. ‘I wonder how they found out?’
‘It only takes one phone call,’ says Cate. ‘It’s not as if the police are doing anything to hide what’s going on here.’
Cate sees a movement across the road and the front door of the house opposite swing open. There’s the man, the weird man. She ducks slightly so she’s not visible.
Behind him is the woman he appears to live with, the statuesque silver-haired woman she’d seen looking for her keys in her bag that morning weeks ago. And behind the silver-haired woman is a very tall gentleman with grey, slicked-back hair.
Slowly they emerge. The older man looks upwards at the sky for the helicopter he can hear. The woman walks to the police by the cordon and Cate watches her ask them questions. The older man and the younger man stand side by side, a few feet away. Suddenly it occurs to Cate that maybe the weird man has something to do with all of this, that maybe the police coming to her house to ask about midnight on Valentine’s night was nothing to do with her and everything to do with him.
She stares at him now, overriding her physical discomfort. He has his fingers over his mouth, one arm wrapped around his waist. He keeps turning to look at the building site. After a minute he leaves the older couple standing on the front drive and heads back into the house.
She sees the female detective talking to the two people who have just walked out of the building site with plastic boxes. She asks them something. One of them nods. One of them shakes their head. They all turn to look at the building site. Then the female detective turns and looks directly at Cate’s house, at Cateherself. It looks exactly as though they have been talking about her, about her family.
‘Come on,’ she says to Josh, who has barely breathed for the past two minutes. ‘Let’s leave them all to it.’
She touches his shoulder and he recoils, almost imperceptibly. ‘No,’ he says. ‘I want to stay here and watch.’
She sighs. ‘OK,’ she says lightly. ‘Do you want a cup of tea?’
‘Yes please,’ he says. ‘Thank you. Love you.’
‘Love you, too,’ she replies. Her heart aches a tiny bit at the thought of him. Her soft boy with his endless love and his raw, shaved neck.
27
Owen hears helicopter blades breaking apart the air above the house. He opens his bedroom window and peers out as far as he is able. At this time of year, before the trees come back into leaf, he can see parts of the big empty space next to their house.
There used to be a mansion there called Winterham House. For decades it had sat with broken windows and ivy climbing up to precarious balconies, toppled chimney pots, graffitied walls and overgrown grass. When Owen first moved into Tessie’s flat it was two months away from a demolition order. He’d watched in fascination as the whole building was dismantled and demolished, brick by brick, all the finery being taken away in vans to be sold as reclaim at vastly inflated prices, the bricks taken away tobe put back into stock, everything else being broken down into components small enough to fit in the back of a pickup. It took about three months and then the demolition people left and suddenly the dust stopped, the noise stopped, there was light through the trees and into Owen’s room, birdsong and foxes, meadow flowers every summer. Occasionally on warm nights Owen can hear teenagers in there and the smell of skunk wafts into his room.
One day a notice went up outside to say that someone had applied for planning permission to build a development of five luxury townhouses on the site. Of course the whole neighbourhood joined together to try to block it. In the end the house-builder who had bought the site compromised with plans for a small block of flats, thus maintaining the maximum amount of greenery and space. That had been approved four years ago but since then, nothing.
The open, verdant aspect from his bedroom has made Owen feel rather as though he lives alone, in a wilderness; the view from his room is nothing but trees; there is no sign of urban life to be seen.
But as he peers from his bedroom window now, he sees that that silent oasis is teeming with people. Voices call out to each other; radios crackle. He sees the suggestion of bodies moving across the open space while the boom of the helicopters overhead fades in and out. He assumes this is something to do with the missing girl, the one the police asked him about yesterday. He assumes it is his fault they are here, because it was him who stupidly mentioned the girl in the hoodie outside the house oppositeon Valentine’s night. And he’s not even particularly sure what he saw. The night is a blur, a sped-up film that stops occasionally on a random still and then moves on again at high speed. He can barely remember getting into bed that night and had woken up wearing his shirt and one sock.
He heads out into the hallway. Tessie and Barry are already there, standing in the front door, watching the activity.
‘They’ve found something,’ she says. ‘Something to do with that girl they were asking you about, the one on the flyer.’
‘What have they found?’
‘They wouldn’t tell me. But they’re going to be keeping the road closed off all day. And they asked for access to the outside areas.’
‘Of what?’
‘Of here. Of the house. I said of course.’
