Seraphima plops herself down on the ground beside me and starts tearing the bottom of her skirt to make bandages. “We need to get you to Orville for a poultice….”
The last thing I want is for Seraphima to stay here playing nursemaid—or worse, to treat me for an injury I’ve never had. Thinking quickly, I frown and whip my head to the left. “Did you hear that?”
Frump barks.
“Right, old buddy. Itdidsound a lot like Rapscullio….” I know that will put Seraphima into a panic. For someone who can’t tell the difference between real life and the story, Rapscullio is a constant threat.
“Rapscullio!” Seraphima gasps. “What if he finds me?”
“Quick—run away.” Steeling myself, I give her a fast, firm peck on the lips. “Your life is more importantthan mine. I’ll come as quickly as I can. Frump, can I trust you to keep Seraphima safe?”
Frump smiles slowly. “It would be my honor and my privilege, Your Highness,” he says. “My lady?” He holds out a paw, and after a reluctant moment, Seraphima takes it.
I watch them hurry across the meadow, a delusional princess who can’t distinguish reality from fiction, and a lovesick basset hound. Well, there have been stranger couples, I suppose. “Good luck,” I whisper to Frump, although I know he cannot hear me. “I’ll miss you, if I ever get out of here.”
Notif, I tell myself.When.
***
As I’m changing into clean clothes, I wonder about the seeming discrepancies of my life in this book. Why is it that I have a closet full of tunics and doublets I am never seen wearing during the course of the story, but Frump, who by text used to be a boy, is never seen in that form? Why is the barn where Socks lives stocked with geese and chickens and cows who play no other discernible role in the fairy tale but Seraphima doesn’t recognize that the part she plays isn’t necessarily who she is? These are contradictions I don’t understand and, to be honest, haven’t considered before. Before meeting Delilah, that is.
I am still mulling over this when I hear Frump call a full-book alarm. “All fairy-tale personnel, report immediately to the stables,” he commands. “I repeat, this is an emergency—not a drill!”
On the way down the castle staircase, I nearly bump into the queen. “Oliver, dear,” she says. “Do you have any idea what’s happening?”
I don’t. But my heart is pounding and my hands are shaking… and I am hoping like mad this has nothing to do with me and Delilah. Has Rapscullio discovered the book is missing? Have the fairies figured out more from our earlier conversation? “I don’t know,” I tell the queen, “but I don’t like the sound of it.”
The sound actually gets worse as we approach the stables. There is a frantic snort and a series of low grunts. Overhead is the telltale sliver of light that indicates the book is about to be opened. But if that’s the case, why are we all just milling around?
Because I am a main character, I am able to push my way through the crowd to the open stable door. There, Frump paces back and forth on a clot of hay as chickens scurry and flap to get out of his way. “Frump, what’s this about?” I ask.
He turns. “Thank goodness you’re here.” He glances up at the slice of sky that is growing wider. “It’s Socks. He’s talking about a strike.”
“Strike? What did he strike?”
“No, he’sonstrike. He refuses to come out of his stall for the next telling of the story.”
I hesitate. No one in this story has ever resisted the telling of it. That is, every time the book opens, characters scramble into position. I’m the only one I know of who’s ever defied it in any way—and I know from experience that the book will correct itself and yank Socks into position whether he likes it or not. But if I admit that out loud, I’ll create an even bigger stir, because everyone will realize that I have been actively resisting the book too.
“What’s the worst that could happen?” I say lightly. “So I’m missing a trusty steed. No one will ever notice.”No one will ever notice,I think,because the minute we’re all back on page one, Socks will have been dragged against his will to meet us where he belongs.
“We can’t take that chance. We’re trying to buy some time.” Frump jerks his chin up to the corner of the barn, where Orville teeters on a ladder, pointing his wand at the crack of light.“Obscurius manturius…”he intones, and a shower of sparks creates a gummy seal across the line of light, falling to the hayloft and igniting several small fires that Rapscullio, standing below, stomps out.
“Someone’s opening the book even now, Oliver,” Frump says. “I don’t know how long we can hold it shut.”
I am knocked sideways as the trolls lumber past meinto Socks’s stall. “From the back, boys,” Frump orders. “Give him your best shove.”
I approach the open stall door. Socks is standing with his face in the corner, head ducked. “Socks?” I murmur. “What’s going on, buddy?”
“Just go away,” the pony sobs.
“Whatever it is, I’m sure we can work it out. I’m here for you. We’re all here for you.”
He tosses his mane. “I am a hideous, monstrous beast. Please let me wallow in my own misery.”
“I’m afraid I can’t do that, Socks. I mean, a lot of people are counting on you. We’ve got a story to tell. And you—you’re one of the stars of the show.”
He hesitates. “I… I am?”
