Chapter thirty-seven
George
Itap the microphone once, twice, and try to smile at the room. My speech is folded into thirds in my jacket pocket but I don't need it. I know every word.
"Eleanor once told me that Daniel was the first person who made her feel like the answer, not the problem," I say, and the room softens exactly as I expected it would.
A laugh moves through the guests, gentle and collective, the sound of people who are happy and want to be happier. I am aware of all of it. The candlelight, the clink of someone setting down a fork, the warmth of a room full of people. I am also aware, at the very edge of my attention, that Tessa is still here somewhere.
I keep my eyes on Eleanor and Daniel. My awareness moves without me.
"Marriage, of course, is not always a logical proposition," I say, and someone near the back makes a noise, and I find Tessa between one syllable and the next.
She's standing near the far wall, close to the corridor that leads out, holding a glass she isn't drinking from.
"Eleanor chose to love Daniel," I say, and that is not what I wrote, but it's what comes out. "And that is the bravest thing I have ever watched anyone do."
Eleanor tilts her head at me from the front table with a small, satisfied smile.
Across the room, Tessa shifts her weight slightly and glances toward the corridor.
My chest does something I don't have a clinical term for.
"There are people who believe love is a system," I hear myself say. "Something you can map, optimize, get right on the first attempt. I like to think that way sometimes." A beat of silence settles over the room, and I realize, with the specific clarity of a man watching himself make an error in real time, that I am no longer talking about Eleanor and Daniel at all.
Tessa's eyes come back to me across the room. For one second, they stay.
She sets her glass down on the narrow shelf beside her. It's a goodbye gesture. Small and quiet and meant to be unnoticed.
"But the most honest thing I can say tonight," I continue, my voice still steady, still performing steadiness I no longer entirely feel, "is that getting it right and choosing to love someone are not the same thing."
She takes one step back, her shoulder turning slightly toward the exit, and I watch it happen the way you watch a glass tip toward the edge of a table.
I stop mid-sentence.
The silence lands on the room like something dropped from a height. Someone coughs near the back. Someone else says nothing, which is considerably louder.
She takes a second step.
I say, into the microphone, with every ounce of composure my surname has ever required of me: "Tessa."
The word goes everywhere. Through the speakers, off the ceiling, into forty-odd conversations that are no longer happening.
She stops with her back still half-turned.
I lower the microphone and it squeals once, sharp and graceless, and I do not apologize for it.
She turns slowly, and finds me still standing at the front of the room. Then I am no longer standing at the front of the room. I'm moving, which is either the bravest thing I've ever done or conclusive evidence that I have finally, irreversibly, lost my mind over this woman.
"Go get her, George." Daniel's voice from the front table, cheerful and unhelpful in equal measure. Low laughter ripples across the room.
I don't look back.
The room has gone very quiet in that specific way where everyone is pretending not to watch while watching completely, and I am aware of forty people learning something about me I had no intention of teaching them, and I find, with some surprise, that I don't particularly care.
Tessa has not moved again. She's standing at the edge of the room with the corridor light catching that crooked gold clip in her hair, and I cannot tell if she's waiting or simply frozen, and the uncertainty of it is more frightening than anything I've walked into in recent memory.
"Tessa," I say again, closer now. My voice comes out quieter than I expect.
