Page 72 of Taking Charlotte


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Three men on site. Two outside, one in. The outside pair runs a rotation that's disciplined but not creative. Fifteen-minute loops, clockwise, overlapping at the east loading dock. They carry sidearms and radios and move with the posture of menwho've done private security work and are bored enough to be careless. The inside man is harder to track. He appears at the windows intermittently, always on a phone, always pacing. Management, not muscle.

Carmelo is beside me. Two soldiers in the second van, parked south. We go at midnight.

At 11:58, I check my Glock. Magazine full. Suppressor threaded. Safety off. The weight is the only constant in a life that's changed so fundamentally in the last few days that sometimes I have to stop and inventory the differences just to confirm I'm still the same person.

I am. And I'm not. Both things are true.

"Go," I say.

We move fast. Carmelo and I take the east loading dock. The two soldiers loop to the west entrance. The first guard is at the southeast corner, walking his route, his radio static with the check-in from his partner on the north side. I come up behind him and put him down before the radio finishes its burst of static. Suppressed round, base of the skull. He drops without a sound.

Carmelo takes the second guard at the loading dock. Two shots, both clean. The man falls against the steel door and slides to the concrete, and Carmelo steps over him and picks up his radio and keys.

The loading dock door rolls up. Inside: a commercial space converted into an operations center. Folding tables, laptops, filing cabinets. A wall of pinned photographs and maps connected by colored string, the physical manifestation of the network Salvatore described. And at the center of the room, the management man, phone in one hand, the other reaching for a weapon he's never going to touch.

"Don't," I say.

He freezes. Smart man. He sees the suppressor and the body behind me on the loading dock and the two soldiers coming through the west entrance, and he does the math.

"Hands," I say.

His hands go up. The phone clatters to the floor.

We zip-tie him to a chair. Carmelo starts pulling hard drives. The soldiers work the filing cabinets, loading documents into duffel bags. I stand at the wall and study the network map.

It's extensive. More extensive than Salvatore described, which means either Salvatore didn't know the full scope or he chose to withhold it. The map covers six cities, fourteen shell corporations, and a hierarchy that branches upward from local operations through regional coordination to a central node labeled with a single word:Kreiss.

Below Kreiss, two branches. One labeledBonaccorso.The otherCastillo.Both with sub-branches that list names, dates, financialflows. The Bonaccorso branch has Salvatore's name circled in red. The Castillo branch has a name I don't recognize, circled in blue.

Marco Vidal.

I photograph everything. The wall, the maps, the documents on the tables. Then I pull the pins and fold the maps and put them in a duffel and the wall is bare, and fifteen years of infiltration is reduced to a bag of paper and string.

We're out in twelve minutes. Two vans, heading east, the Maryland site dark and empty behind us. The management man is in the back of our van, zip-tied and silent. He'll talk. They always talk. And when he does, we'll have the Castillo mole's name confirmed and the full scope of Kreiss's operation mapped.

But Kreiss himself is in Geneva. Out of reach. Across an ocean and behind whatever layers of protection a man with his resources can afford. We can't touch him tonight. Maybe not this month. But the network is bleeding. His Maryland cell is gone. His Bonaccorso asset is in a cell. His records are in our hands. And somewhere in a Delaware apartment, his insurance policy is being extracted by my brother.

Speaking of my brother.

The phone rings as we hit the highway. Emilio.

"We've got her," he says.

"Savannah?"

"Yeah. She's... she's okay. Pissed off. Scared. She threw a lamp at my head when we came through the door, which is honestly the most reasonable reaction anyone's had to a rescue operation in the history of this family."

"Is she hurt?"

"No. Kreiss's men kept her contained but unharmed. They were under orders to hold her, not damage her. She's been in that apartment for a week with nothing but a television and a bag of groceries and the kind of silence that makes people either crazy or sharp. She went sharp."

There's something in his voice. Under the usual Emilio warmth and the adrenaline of the extraction. Something quieter. Careful. The way a man sounds when he's describing someone he's noticed in a way that goes beyond the duty.

"You sound different," I say.

"I sound tired."

"You sound like a man who just met someone."