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But there is a crack in it now. A fissure shaped exactly right for a clawed hand holding the edge of his sleeve. For dark eyes that looked at him with something that might have been need. For the warmth of a wrapped hand beneath his palm and the way Zazyrus's expression broke open, just for a moment, into surprise.

He wants to trust. He wants it so badly it aches, a physical thing, lodged in his throat and his chest and the backs of his eyes. He wants to let someone in, to have one person in this place who sees him and doesn't want to use what they see. He wants it and the wanting is the most dangerous thing he's felt in years because the wanting is the thing that will get him killed.

He opens his eyes. The corridor stretches before him, familiar and dim. Somewhere above, the crowd is gathering. Somewhere below, Zazyrus is waiting to be led to the sand.

Lethe pushes off the wall. Straightens his satchel. Smooths his shirt.

He walks to the healer's alcove to prepare his supplies for the aftermath, and his hands are steady again, and his face is composed, and the crack in the wall is still there, and he is not going to be able to close it.

He knows this.

He prepares his supplies anyway.

Chapter ten

Chapter 10

The gate opens and the noise hits him and Zazyrus steps into the arena carrying the weight of someone else's survival on his shoulders for the first time in his life.

The sand is bright. It's always bright after the dark of the kennels, the sudden assault of torchlight and daylight pouring in through the open roof of the coliseum, and his eyes adjust in seconds because they've adjusted to this transition a hundred times before. The crowd is a wall of sound, thousands of voices merged into a single, undifferentiated roar that vibrates in his teeth and his sternum and the base of his horns. The air stinks. Sweat and wine and roasted meat and the copper undertone of old blood baked into sand that has never, not once, been fully clean.

He knows this place. He knows the shape of it, the dimensions, the distance from gate to gate, the height of the walls that separate the sand from the lowest tier of seats. He knows the guards stationed at intervals along that wall, armed with polearms and crossbows, trained on the arena floor. He knows the sand itself, churned and raked and churned again, softenough to cushion a fall and loose enough to slow a charge and stained, always, in patterns that tell the story of every bout that came before.

His opponent is already on the sand.

Big. Armored in bony plates along the spine and shoulders. Two legs, two arms, a heavy, blunt skull designed for ramming. It paces the far side of the arena with the restless, agitated energy of a creature that has been kept in the dark and prodded into fury, and Zazyrus recognizes the gait, the coiled tension, the dilated eyes. This one has been starved and beaten and provoked in the hours before the fight because that's how the handlers ensure a good show. Cruelty as entertainment. The crowd doesn't want skill. The crowd wants blood and screaming and the primal, gut-level thrill of watching something savage tear something else apart.

Zazyrus plants his feet in the sand and breathes.

He remembers Demos's words.

You know how sweet he is. Imagine how sweet he'd be under you.

The words slide through his mind the way a blade slides between ribs: precise, targeted, devastating. Not because of what they promise. Because of what they reveal. Demos thinks this is motivation. Demos thinks the prospect of a night with the boy will make Zazyrus fight harder, and the assumption is so profoundly wrong, so fundamentally rotten, that it would be laughable if the stakes weren't what they are.

He thinks about what happens to Lethe if he loses.

Not the reward. Not the promised night, which Zazyrus never wanted and will never claim, not in the way Demos means. He thinks about the loss itself. About Demos, drunk and furious with the money gone, and the rage that needs somewhere to go. He thinks about the door that doesn't lock from the inside. About the late bell. About a boy sitting on the edge of his cot,listening for footsteps, and the footsteps coming, and the three sharp knocks that are ceremony and cruelty and prelude.

He thinks about what Lethe's night will be if Demos is angry.

The thought lands in his chest and detonates.

It is not the old rage. Not the familiar, burning, indiscriminate fury that has carried him through every fight in every arena in every pit he's been dragged to since he was old enough to bleed. That rage is a blunt instrument. It breaks things without choosing. It doesn't care what it hits because caring requires a focus it doesn't have.

This is different.

This has a face. Blue eyes. Steady hands. A voice that talks about kittens and the sea and doesn't break, even when it should, even when breaking would be the sane and reasonable response to a life built entirely of things that break you. This has a name and a satchel and an orange smuggled in the bottom of it and a smile that opens slowly, carefully, testing whether it's allowed to exist.

This has a hand covering his, warm and sure, and a voice sayingyou'll be alright.

The bell sounds.

His opponent charges.

Zazyrus has fought his entire life and fighting has always been subtraction.

Subtract the pain. Subtract the crowd. Subtract the fear, if there is fear, and the exhaustion, if there is exhaustion, and the creeping, corrosive despair that comes from knowing this will never end, that there will always be another arena and another opponent and another roaring crowd paying to watch him suffer. Subtract everything until there's nothing left but the body and the rage, and let the rage drive. Let it swing his arms and move his feet and bare his teeth and the rage doesn't need a reason.The rage is its own reason. The rage is the one thing they haven't taken.