Lucy covers the top of her shaking tea with a hand as they laugh. ‘God, it’s so nice and warm in here. We’re going to have such great sleeps.’
‘I thought the same.’ Simone smiles, then adds thoughtfully,‘I mean, you don’tknowno one was on PornHub. Just because you weren’t.’
‘Maybe Bea was.’ She pauses. ‘Porn in D major.’
Simone shifts on the bed, so happy. She is so tired she feels seasick, but she doesn’t care. ‘Did you enjoy it at all?’ she asks.
Lucy makes a face in response. ‘No.’
‘Well, you’re in tune now,’ she lies. ‘It’s done.’
‘We ought to go to bed.’
Beyond the lodge, crickets shiver the air like maracas. Outside, there is only the alien desert landscape. No lights around as far as they can see, the distant sound of the main road if you listen carefully, though it’s a mile away.
‘Is there even anyone else staying here?’ Simone says as they drift out together into the hallway.
Lucy presses her face to the door. ‘I really don’t think there is. Which is just the way I want it after living with nine singers.’
‘I can imagine. Right – sleep. And then tomorrow, we camp,’ Simone says. ‘Silently. No singing.’
‘Deal.’
Simone tries to pull the front door shut. It’s a screen door, flimsy, and bounces back. She must have broken it. It had a code to enter, but now hangs loose. Unless it always did, and the code did nothing? She can’t remember. ‘Huh,’ she says, as she tries again. It has a catch on one side, a wooden frame and plastic translucent windows, but it won’t connect.
‘Well,’ Lucy says, looking at it. She tries to ram it over the catch, but it clatters and rebounds regardless. ‘It’s fine.’
‘Hmm,’ Simone says, wincing as her daughter pulls it roughly; they are about to end up with no door at all.
‘Once we’re camping, our tent won’t lock either,’ Lucy says with a shrug, leaving the door reverberating with her effort. ‘It’s fine,’ she says again, and lets it hang an inch from the catch.
‘True,’ Simone concedes.
‘But we will get loads of bugs in. There are these ones called stink bugs,’ she says, fiddling with the door. ‘One of the singers – the forty-year-old – was obsessed with them to the point of insanity. Thought they’d travel home with her on her luggage.’ She hesitates. ‘It does get pretty cold in the early hours, but –’ She looks at a box of blankets at their feet.
‘Exactly,’ Simone agrees, and Lucy picks one up, sniffs it, and makes a face. A car begins to hum outside in the distance, then sweeps on by after several moments, lights white, then red. They watch it silently for several seconds, then Lucy indicates the room they were just sitting in. ‘You want that one? I’ll have this one.’ She points across the hallway.
And then she wordlessly places her elbow on her mother’s shoulder, and stands there leaning, a kind of half hug. Simone rests her head against her daughter’s. And the distance between them that began this spring and continued into the summer has closed, just slightly. Simone almost asks Lucy about it, but then stops herself, knowing better.
They part ways. Simone watches Lucy start sorting, taking wrinkled clothes out of her messy suitcase and putting them on the bed. Lucy pauses, hands on her hips, unaware Simone is still watching, and lets out a small sigh, just one. The softest, most delicate rise and fall of her shoulders, so slight Simone could have imagined it, and Simone finds herself wondering how the summer really was, beyond the bravado. But Lucy is unlikely to say. Simone watches her retreat into the bathroom, the light flickering on and humming. After several moments, she comes back out and looks at Simone.
‘You coming out here,’ she says, then swallows. ‘It means a lot to me. Thanks for doing it.’ Her voice is thick and textured. ‘I chose this lodge as I thought you’d like the fruit trees outside.’
Simone nods, smiles, touched, then Lucy closes the door and disappears once more. There’s that parental loan again.
A black room, nothingness, a jolt into consciousness, and Simone is awake and floating contextless as her brain tries to work things out. Where is she? Who’s with her? It comes back to her piecemeal. Texas. Lucy. The lodge. As she stares, items come into view in the blackness. The far corner of the bed, mussed-up blanket dripping off the end. The bedroom door with the large brass knob reflecting just a tiny square of light from somewhere.
An old-fashioned clock radio with faded red numbers says it’s 4:02, three hours after they went to bed. Simone can feel her eyes closing again in the warmth. The bed is deliciously soft, a soufflé of a mattress, the room so still and dark. How pleasant to fall back to sleep when jet lag might otherwise have kept her awake. She lets it come, lets go of the obligations: to check in on whether the fish arrived, to see how Damien is, to call out for Lucy. As sleep pulls her under, her mind unconsciously runs over memories. Outdoor date night with Damien, started in the pandemic, continued weekly since. Walks, strawberry picking, ice skating. George the cat curled like a cinnamon bun on their four-poster bed – Simone bought it the dayThe Timeswrote up their restaurant, second-hand from eBay but still. And Lucy, too: her daughter’s monologue as Lady Macbeth earlier in the year, spotlit and striking with her red hands that Simone knew to be covered in tomato puree but forgot because she was so good.
As the memories come, her body slows and she lets her guard, always up, go down. The world becomes dreamlike, Simone unsure what’s real and what isn’t. The crickets outside. An unusual noise … is it a wave outside she can hear? No, they’re not near the ocean. Or is it a sigh, a cry, or is it a swellof sleep just coming over her head? She doesn’t know, can’t know, and then she’s gone.
Seven thirty-one according to the red numbers. Wow. Simone did not expect to have such a good night’s sleep. She lets her breath out, still lying on her back. A slow-spinning ceiling fan above rotates lazily. The light here is different. Clear and angular rather than England’s haze, everything sharply outlined by nature as artist.
It’s so quiet. Simone sits up, goose pimples covering her shoulders. That’s right: the concertina door in the hallway wouldn’t close. That’s why she can smell outside air, fresh but burning up already, like a just-lit oven.
Her suitcase is on the floor, splayed open where she left it, same as she knows Lucy’s will be. All she did last night was get out her toothbrush. She pulls a cardigan on over her pyjamas and crosses the hallway. Lucy is very quiet, she thinks, and there it begins: a humming kind of nervousness she isn’t used to feeling.
The cabin is on one floor, four rooms: two bedrooms, a bathroom and a living room/kitchen-diner. Long, flat rectangular windows reveal snatched lit-up glimpses of the vista of the desert. Lucy chose this place for them, said the location was good, the rates cheap.
