Page 85 of Mafia Daddy


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That was a woman who had been prey.

My hand found my phone. Pressed the button that connected to Marco's line.

"I'm on my way home," I said. My voice was steady. The steadiest it had been all evening, because certainty was its own kind of calm.

"Dante—" Marco started.

"Not now. Tomorrow. We'll talk tomorrow." A breath. "I need to see my wife."

I left the bill on the table. Walked out into the October night. The cold air hit my face like a correction—sharp, clarifying, stripping away the residue of Enzo's cologne and Enzo's voice and Enzo's grey eyes watching me with the satisfaction of a man who believed he'd already won.

He hadn't.

He just didn't know it yet.

Thedrivehomewassilent. No music. No phone calls. Just the engine and the road and Enzo Valenti's voice in my head, playing on a loop I couldn't shut off.

The steering wheel creaked beneath my grip. I loosened my hands deliberately. Flexed my fingers. Wrapped them around the leather again with the controlled precision of a man who understood that breaking things—even small things, even the steering wheel of his own car—was the first step toward losing control entirely.

Two revelations. Two weapons Enzo had deployed with the casual precision of a man arranging chess pieces. The first—my father's crime, the dead girl, the shattered code—was devastating. A wound I'd be processing for months, maybe years. The foundation of my family's identity, cracked down the center by a truth my father had buried for two decades.

If the truth got out, our name among the other families would be mud for so many reasons. In my business, reputations were everything. The basis of power, the weapons we wielded.

Maybe my family could survive, but we would be besieged on all sides. It would cost us, and probably, it would cost us blood.

I turned onto our street. The house rose ahead, warm light glowing from the library windows on the second floor. She was up there. Reading her Caravaggio. Waiting for me to come home, probably with tea already steeping, probably curled in the window seat with one foot tucked beneath her and her hair falling across her face like a curtain she could hide behind.

My wife. My little one. The woman who'd given me her trust like a gift she'd been saving her entire life for someone worthy of it.

I went inside.

The house was quiet. The foyer light was off—just the warm glow from upstairs, falling down the staircase like a path. I climbed the stairs. Each step bringing me closer to a conversation I didn't want to have and couldn't afford to avoid.

She was in the library.

Exactly where I knew she'd be. Curled in the window seat, a heavy book open in her lap—Caravaggio, again, always Caravaggio. Her tea sat beside her, still steaming. She'd changed into soft clothes—leggings, one of my old sweaters that swallowed her to mid-thigh, her hair loose around her shoulders.

She looked up when I entered.

Her smile started. The automatic response—the warmth, the welcome, the reflexive reaching toward me that had become the best part of my days.

Then she saw my face.

The smile died.

She went still. Not frozen—something more primal than that. The particular stillness of a small animal that has detected a predator's approach, every muscle locked, every sense oriented toward the source of danger. The book in her lap was forgotten. Her hands pressed flat against its pages as though bracing for impact.

"Daddy?" Her voice was careful. Measured. The voice she used when she was reading a room, calculating the threat level, preparing to accommodate whatever storm was about to break. "What's wrong?"

I crossed the room. Didn't pause at the doorway. Didn't stop to compose myself or choose my words or arrange myexpression into something less alarming. There was no time for performance. No room for the don's mask or the careful diplomacy I used for the rest of the world.

I knelt before her.

Right there, on the hardwood floor, my knees hitting the boards with a sound that seemed too loud in the quiet library. I knelt the way a man knelt in church. The way a man knelt when he was asking for something sacred. My face level with hers, my hands reaching for her hands, finding them cold and trembling against the pages of her book.

Her eyes were wide. Terrified. Not of me—of whatever she could read in my expression, whatever truth was written on my face in a language she'd been fluent in since childhood. The language of men bearing bad news. The language of storms about to break.

"Enzo told me you have history," I said quietly. "He told me his version of what happened between you."