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“Don’t do it,” I mutter at the unit as another spike jumps across the screen. “We just talked about this. No more drama.”

The needle flicks again—hard—then settles like it’s pretending nothing happened.

I stand in the middle of the half-graded lot, wind whipping hair into my lip gloss, and take a slow breath.

The air smells like diesel, wet mud, and that weird chemical sweetness new asphalt always has. The ground beneath my steel-toe boots is a patchwork of compacted fill, exposed clay, and one very, very cranky fault line.

“Last reading before I go home, shower, and pretend this day didn’t happen,” I tell myself.

I glance back at my Jeep parked along the gravel access road—mud-spattered, dented, absolutely perfect—and then return my attention to the long, jagged crack running diagonally across the site.

They’ve already had two pieces of equipment partially sink in the last week. A skid steer listing at a thirty-degree angle like a drunk sailor, a drill rig that somehow tipped despite being on “stable” ground.

That’s why I’m here.

Environmental geology, foundation assessments, sinkhole risk surveys.

Translation: when the earth starts eating expensive toys, they call me.

I crouch at the edge of the fissure and run my gloved hand along the broken asphalt and fill. The crack isn’t just surface-level.

It’s deep.

I can feel the emptiness beneath, a hollow place that doesn’t match the boring logs, doesn’t match the bedrock maps, doesn’t match anything.

“Talk to me, sweetheart,” I murmur, staring into the dark cut in the earth. “What are you hiding?”

A faint tremor shivers up through my palm.

My instruments don’t lie—usually.

And I’ve been getting small, weird spikes here for days.

Micro-tremors with no traffic correlations, no blasting schedules, no nearby rail.

Sometimes the readings jump when I’m standing still.

Sometimes they jump when I’m dreaming.

I close my eyes just for a second.

Black feathers.

Obsidian wings blocking out a sky I’ve never seen.

Hands—huge, callused, inhumanly strong—catching me as the world cracks open.

And eyes.

Green-gold, inhuman, molten with something that should terrify me but doesn’t.

I snap my eyes open, shoving the images away.

I haven’t been sleeping. Not well, anyway.

The nightmares have been getting worse.

Shadows, storms, a voice like thunder saying my name. Alina.