Page 76 of Leverage


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Astra moves.

Not toward Ethan. Not toward the portal. Toward Elissa.

She holsters her sidearm with the smooth efficiency of someone who's made a decision three steps ahead of therest of the room, and she crosses the open floor between us and my sister with a walk that isn't hurried but isn't hesitant. Every step deliberate. Her boots are silent on the composite floor, and the portal light turns her hair to copper and shadow as she closes the distance.

Elissa's eyes go wide. She wasn't expecting this, whatever this is. She was expecting guns and commands and the particular brand of Torrence problem-solving that involves force applied to the right pressure point. She wasn't expecting Astra Venn to take her hands.

But that's what Astra does. She reaches out and takes Elissa's hands in both of hers, and the gesture is so simple, so human, that it stops the room. Even Ethan goes still behind the console.

"Whatever he is," Astra says, her voice low and clear and carrying the authority of someone who knows what it is to be used by someone you chose to trust, "whatever he's done, he let you choose. That matters."

Elissa's chin trembles. I can see the tension in her jaw, the effort of holding herself together in front of people who've spent her whole life underestimating her.

"But this choice, right now?" Astra squeezes her hands. I can see the pressure of her fingers, the way Elissa's knuckles shift under the grip. "You need to make it with clear eyes. Not his eyes. Not your brother's. Yours."

Silence. The portal crackles and spits. Something in the equipment bank to our left hums and then dies. The ozone smell thickens until it coats my throat like copper plating.

Elissa looks at Astra for a long time. Then she looks at Ethan. Then at me.

She steps to the side.

Not toward Ethan. Not toward me. To the side. Out of the firing line. Out of everyone's equation.

"I'm not choosing between you," she says, and her voice is raw but steady. "I'm choosing me."

The portal screams.

The energy spikehits like a pressure wave, and every readout on every console goes white at the same time. Ethan lunges for the controls, both hands slamming into the interface, and for one bright and terrible second the oval of crackling energy doubles in size. The edges of it reach for the walls. The air turns to static. I taste metal and something else, something that lives on the other side of that threshold, something that has no name in any language I speak.

Then it collapses.

The implosion is silent, which is worse than noise. The portal folds in on itself like a mouth closing, and the light dies in concentric rings from the outside in, and when the last bright point winks out the darkness that follows is absolute and total and lasts exactly two seconds before the emergency lighting kicks in and bathes everything in a jaundiced amber.

Ethan slams his palms against the dead console. The sound of it echoes in the sudden quiet, and I watch his shoulders hitch with something I've never seen him wear before. Frustration. Real, ragged, furious frustration, the kind that comes from being close enough to touch something and having it yanked away.

"Too unstable." He's not talking to us. He's talking to the dark screen, to the dead controls, to whatever was on the other side of that doorway. "I needed more time. More resources. Months, not weeks."

"Shame about your timeline," I say.

Astra has already moved. She's positioned herself between Ethan and the nearest exit, and her weapon is back in her hand, and I love her for the efficiency of it even though I shouldn't be thinking about love when I'm securing a hostile asset in a room that still smells like burned spacetime.

The containment is clinical. Ethan doesn't fight it. He stands there with his hands at his sides while I apply the restraints, and the only sound is the click of the magnetic locks and Elissa crying.

Not sobbing. Not hysterical. Just tears, running down her pale cheeks in the amber emergency light, silent and steady and somehow worse than screaming. She sits on the floor against the wall with her knees pulled to her chest and her arms wrapped around them, and she looks young. She looks like the girl I taught to play chess when she was nine, moving the pieces with both hands because one wasn't big enough.

I seal the research section. I report to station command. I answer questions in the flat, clinical register that makes debrief possible, and the whole time there's a part of me that's still standing in the dark after the portal died, feeling the absence of something I can't name.

Later.

The word covers a lot. It covers the security teams that swarm the research section. The medics who check Elissa for portal exposure, who run their scanners over her skin and find nothing they can name but note it anyway. It covers the sealed door and the containment field and Ethan's face through the observation window, blank and patient, already calculating his next play.

It covers the part where I stand in a corridor and press my forehead against the cold bulkhead and breathe until my hands stop wanting to shake.

Later means: the station has gone quiet. The crisis has passed, or at least this particular crisis has subsided into the low-grade fever that passes for normal on this station. The research section is sealed and guarded. Elissa is in medical, sedated by her own request. Ethan is in holding, and I'll deal with him tomorrow because right now I don't trust myself to be in a room with him without finishing what I started.

Later means: Astra finds me, or I find her, or we find the same place at the same time because we've been orbiting each other for nineteen days and gravity does what gravity does.

The observation deck off the secondary corridor. It's small, barely more than a viewport and a bench, one of those architectural afterthoughts that someone designed into the station for reasons of crew morale or regulatory compliance. The viewport shows the stars, which don't care about portal technology or sibling loyalty or the particular way a man can ruin every relationship he has by treating people like variables in an equation.