Page 118 of My Lucky Pucking Shot


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Archie Hale Rosedale just took my luggage, gave me his shirt, and told me to follow him to his dorm.

And I do not have the energy or the inclination or the dry clothing necessary to argue about it.

I follow.

Through the residential wing corridors, past doors that belong to students whose plumbing functions as designed, beneath fluorescent lights that illuminate our procession with the clinical impartiality of institutional fixtures that do not care about the domestic upheaval occurring in the rooms they illuminate.

His dorm is in the adjacent building. A mirror layout of my own suite, same oak door with brass number plate and electronic keypad, but dry. Gloriously, miraculously, structurally dry. The ceiling is intact. The floors are moisture-free. The air carries only the ambient scent of an occupied residential space rather than the damp, mildewed aftermath of catastrophic pipe failure.

He enters the code. The door opens. The interior is sparse but functional: a common room with a couch and kitchenette, two closed bedroom doors, and two open ones revealing unmadebeds and empty surfaces that confirm his claim about absent roommates.

His scent permeates the space. Cedarwood and graphite and warm amber woven into the furniture fabric and the curtains and the air itself, the accumulated pheromone output of an Alpha who has been the sole occupant of a four-person suite and has inadvertently converted every surface into a carrier for his biological signature.

I am going to be sleeping in a room saturated with his scent.

Every night. Until the pipes are fixed. In a dorm where the common areas smell like the inside of his shirt and the shower will carry traces of his soap and the thin walls will transmit whatever sounds he produces during the night, which based on the information Jace provided about Alpha sleep patterns probably includes snoring and the occasional territorial growl that his biology issues during REM cycles.

This is fine. This is completely, totally, absolutely fine.

He sets my suitcases inside one of the empty rooms, the wheels clicking against the hardwood floor. The room is small but sufficient: a twin bed with navy sheets, a desk, a narrow wardrobe. The window faces east, which means morning light will be my alarm clock. The walls are bare, awaiting a personality that I will have to import from the disaster zone across the building.

He straightens from placing the bags and turns to face me in the doorway of what is now, temporarily, my room.

The green eyes meet mine behind the wire-rimmed frames. The swollen knuckles of his right hand hang at his side, the bruise darkening in real time, the split skin visible beneath the fluorescent hallway light. The tear track on his left cheek has long since dried, absorbed into freckled skin that carries no visible evidence of the locker room except the tension that still lives in the set of his jaw.

Neither of us speaks.

The silence is different now. Not the heavy, burdened quiet of the campus walk. Not the analytical pause of a man deciding whether to deploy words. This silence is domestic. Mundane. The silence of two people standing in a hallway between their respective bedrooms, adjusting to the sudden, unplanned proximity of a living arrangement that neither of them requested and both of them are going to have to navigate without a manual.

"I'll get you that ice," I say, because the practical concern I identified during the walk has not been addressed and his knuckles look worse than they did twenty minutes ago.

He looks at his hand. Examines the damage with the detached interest of a man performing an inventory on equipment he treats with significantly less care than it deserves.

"It's fine."

"It is not fine. Your hand looks like you punched a locker."

The sentence leaves my mouth before I can edit it, the specificity of the description confirming that I know exactly what happened to his knuckles because I was standing outside the door when it happened.

His jaw tightens. A micro-expression that registers the confirmation and processes its implications: she heard. She was there. She knows.

But he does not address it. Does not ask how much I heard or what I witnessed or whether the tear I wiped from his face is going to become a topic of future conversation that he will need to prepare a defense for.

He simply nods.

"Freezer's in the kitchen. Ice trays are in the top shelf."

I nod back.

Turn toward the kitchenette.

And accept, with the resigned finality of a woman whose residential trajectory has been governed by forces beyond hercontrol since the day her mother decided that stability was a luxury Sage Holloway had not earned, that this is her current reality.

Flooded dorm. Borrowed shirt. Bruised Alpha. Cedarwood-saturated air.

I am officially staying with Archie Rosedale until this dorm situation gets fixed.

CHAPTER 21