Page 15 of Kade


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Her face in sleep is different. Softer. The sharp wit and bare-knuckled challenges traded for something unguarded that hits every protective instinct I have like a fist to the sternum. The curve of her shoulder is marked by my mouth. Hair a wreck from my hands. Lips still swollen. She looks thoroughly debauched and somehow untouched at the same time.

Get up. Get out. Before you do something you can't undo.

Too late for that.

Probably was too late the moment I watched that man put his hands on her at the bar.

The window pulls me. It’s not a sound. No visible trigger. Just that cold, wordless instinct that has kept me breathing through operations I have no business having survived—the kind of alarm that lives below thought, below language, in whatever part of the brain evolution built specifically for staying alive.

I extract myself from the bed with the careful deliberation of a man who does not want to wake the woman beside him, and pad naked to the window.

The street below sits in the dead zone—too late for drunks, too early for commuters. Street lamps pool amber light across empty pavement, the spaces between them thick with shadow. And there, parked in a no-overnight zone with a direct sightline to Wren's corner unit, sits a black sedan.

Not the Crown Vic from the bar. This one's newer. A Charger. Engine running—soft exhaust wisps curl and dissolve in the cold mountain air. Windows blacked out well past the legal limit. It's not parked the way a person parks when they're waiting for a friend. It's parked the way a person parks when they're watching a building and want to see every exit at once.

4:47 AM.

My jaw tightens. Not for Wren—I'm still running the full list.

Wrong-side parked overnight vehicle with surveillance positioning and blackout tint in a mountain town at five in the morning could mean a dozen things, most of them mundane.

Someone's paranoid ex. A PI running a cheating case. Local law sitting on a drug house two addresses down. The possibilities stack up fast when you've worked in environments where threat is the baseline.

I dress fast and silently. Jeans, Henley, boots. The Glock seats into its appendix holster with the familiarity of a handshake. Spare magazine in my pocket. Old habits run deeper than conscious thought.

I'm moving to wake her when I catch it.

Metal on metal. The front door. Quiet and precise—the specific sound of a pick set working a pin tumbler with someone who's done this enough times that it's become muscle memory.

Not a resident who forgot their key.

Every threat scenario I was still running drops off the list. I'm down to one.

I ghost down the hallway, spine flat to the wall, weapon drawn but held low at retention. My pulse does what it always does in these moments—slows. Counterintuitive. Absolute. The adrenaline floods in just the same, but it sharpens instead of panics, time stretching out until each second has real weight and texture.

The lock disengages. Soft click. Thirty seconds start to finish—not fast, but clean. Deliberate. The door eases open an inch, then two, and a figure slips through the gap sideways, minimizing his profile on instinct.

Male. My height. Twenty pounds heavier across the chest and shoulders. Dark tactical gear—not the off-the-shelf kind, the fitted, purpose-built kind that people who do this professionallywear. Suppressed pistol up in a two-handed grip, muzzle already moving through a systematic corner sweep before the door has finished closing behind him.

Everything about this reads professional. The entry technique, the weapon selection, the gear, the hour, the way he moves—weight distributed, breathing controlled, no wasted motion.

In my line of work, if it looks like a trained operator and moves like a trained operator, I don't wait around to find out if I'm wrong. I treat it exactly as it appears and adjust if the facts change.

Right now, the facts say threat.

I let him clear the door. Two steps in. Far enough that he can't reverse back through it cleanly. Not far enough to reach the hallway.

"One more step and you don't walk out."

He freezes—but not the freeze of someone startled. No flinch, no sharp intake of breath. Just a controlled, immediate stillness, and then a slow rotation of his head to locate the voice in the shadows.

Trained response.

He was expecting resistance as a possibility. He's filed it and is already calculating.

His face is unremarkable to the point of being a professional asset—the kind of features that dissolve into crowds and bounce off security footage without leaving an impression. But his eyes are flat and depthless. The eyes of a man who has been in rooms like this before and treated the outcomes as administrative problems.

"This doesn't concern you."