Page 16 of Taken By The Bratva


Font Size:

The urge disturbs me. It serves no tactical purpose.

I suppress it.

I hold the glass steady. I do not give him more.

“A name,” I say. My voice is low, pitched to carry no further than the space between us. “One name, and you may continue drinking.”

His eyes open. The desperation in them is a physical force.

“One name,” I repeat. “An associate. A contact. Someone in your father’s organization who has access to the shipping manifests. This information is minor. Your father will not know you provided it. You will suffer no consequences.”

I watch the war play out across his face. The pride. The shame. The thirst that drowns everything else.

“D...” He stops. Swallows. The motion is painful to watch, his throat working against the dryness. “Da...”

I bring the glass closer. Another drop slides onto his tongue. Reinforcement. Reward.

“Daniil,” he whispers. “Daniil Volkov. He runs the customs contacts in Odessa. He’s been with my father for twenty years.”

I note the name. Daniil Volkov. Odessa customs. The information is genuine; I can see it in the way his body relaxes slightly after the disclosure.

“Good.” I tilt the glass further. More water flows toward his lips. “Good, Nikolai. You see how easy this can be?”

His throat works as he swallows the water, small desperate gulps that I control completely. Too fast and he will choke. Too slow and his need will outpace his patience. I measure the flow with the precision I bring to everything, watching his face as the relief transforms him.

His eyes meet mine.

I see the moment it happens. The moment the water cuts through the fog of his desperation and his mind reassembles itself. The moment he remembers who he is and who I am and what he has just done.

Horror. Shame. Fury. They cascade across his features in rapid succession.

His jaw tightens.

“Niko—”

He spits.

The mixture of water and blood catches me across the face. The impact is minimal. But the subject’s eyes are locked on mine with a hatred that burns brighter than anything I have seen from him.

“Fuck you,” he rasps. “Fuck you and your water and your questions. I’m Nikolai Petrenko. I don’t break for Baranov dogs.”

I do not move.

I do not flinch. I do not step back. I do not raise a hand to wipe away the liquid dripping from my chin. I simply stand there, holding the glass, looking at him.

The silence presses against us. The subject’s chest heaves with the effort of his defiance, his body burning energy it cannot afford.

I raise my hand. Slowly. I wipe my face with the back of my wrist, removing the moisture in a single economical motion. I examine the residue on my skin. Water and saliva and a thin pink tinge of blood from his cracked lips.

I lower my hand.

The subject is watching me with an expression that hovers between triumph and terror. He thinks he has won something. He thinks that his defiance has shifted the balance of power.

He is incorrect.

His defiance is not strength. It is the last convulsion of a dying identity, the Petrenko name gasping for breath beneath the weight of everything I have taken from him. His body betrayed him during the mapping session. His mind betrayed him during the water exchange. And now his pride has betrayed him by demanding a gesture of resistance that will cost him everything.

I understand this pattern. I have seen it in other subjects—the moment when the breaking is almost complete, when some final fragment of the old self rises up in desperate protest before being swept away entirely.