Page 75 of Irish's Clover


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A black Jeep emerged from behind a rock formation a hundred yards off the highway, moving fast, cutting diagonally toward the road. It fishtailed onto the asphalt ahead of us, blocking both lanes, the tires screeching, dust billowing around it like a curtain being drawn.

Behind us, a second engine. I turned. Another black Jeep, closing from the south, materializing from a dry wash that had hidden it from view. It swung across the highway and stopped. Blocking.

Boxed.

The doors of the lead Jeep opened. Men spilled out. Eight of them. Tactical gear, black, unmarked, automatic rifles shouldered and aimed. They moved with the coordinated precision of men who'd done this before, fanning into a semicircle that covered every angle of approach.

Then the passenger door of the lead Jeep opened, and the man who stepped out made every other threat in the desert feel like background noise.

He was enormous. Six-four, maybe six-five, built with the dense, functional mass of someone who'd spent decades training for violence. Broad through the chest and shoulders, thick through the neck, his frame carrying weight that wasn't for show but for impact. His face was a study in Eastern European architecture: square jaw, heavy brow ridge, deep-set eyes under thick dark eyebrows, high cheekbones that gave the bone structure a severity that was almost sculptural. A nose that had been broken at least twice and reset imperfectly, lending a slight asymmetry that made the whole face look like it had been carved by someone who prioritized function over aesthetics. His head was shaved close, the stubble dark, and a thin scar ran from his left temple to his ear, pale against the weathered skin.

His expression was blank. Controlled. The blankness of someone who processed fury the way a furnace processed fuel: internally, completely, converting rage into a heat that didn't need to show on the surface because it was already doing its work underneath.

He walked toward us. Unhurried. The mercenaries flanking him, rifles trained on our chests.

I aimed at his center mass. Mendez aimed beside me. Ortiz too. Three pistols against eight rifles and a man who looked like he ate pistols for breakfast.

"Who the fuck are you?" My voice came out steadier than I felt. "And why the fuck did your sniper just kill my brother?"

The man stopped. Ten feet away. His eyes moved across the three of us with the detached assessment of a butcher appraising livestock.

"Dragomir Kolev." The accent was thick, Slavic, each consonant bitten off with the precision of someone who'd learned English as a secondary weapon. "And your brother is dead because I needed your attention." He paused. Let the words settle. "I have it now, yes?"

"You have my attention and my bullet count, you piece of shit. What do you want?"

"What I want is complicated. What I need is simple." Kolev tilted his head. The blank expression didn't change, but his eyes narrowed by a degree. "You have three seconds to lower your weapons. After three seconds, my men open fire. You are three. We are eight with rifles, and I have four snipers on elevated positions who are currently looking through scopes at each of your skulls." He raised one finger. "One." A second finger. "Two."

"Do it." The words scraped out of my throat like broken glass. "Everybody lower."

Mendez's jaw tightened. Ortiz's hand shook. But they lowered. Because the math was the math, and three pistols against eight rifles and snipers on the ridgeline was a math problem that only had one answer.

"Throw them," Kolev instructed. "Far. Not at my feet. I am not stupid."

I threw the Glock. Heard it clatter on the asphalt fifteen feet to my right. Mendez and Ortiz followed.

Kolev nodded. The blankness shifted by a fraction, a tightening around the mouth that wasn't a smile but occupied the same neighborhood.

"Good boys." The contempt in his voice was deliberate, calibrated. "The Steel Phoenixes. I watched your little raid on the depot. Very impressive. Twenty men on motorcycles, playing soldier in the desert. You destroyed a supply chain that took four years to build. You think this makes you warriors?"

"I think it makes you unemployed."

The words left my mouth before the survival instinct could intercept them. Because that was what I did. That was who I was. Sean Callahan, the man who brought a joke to a gunfight, who ran his mouth when his hands were tied, who used humor theway other men used armor: reflexively, compulsively, even when the situation called for silence.

Kolev's jaw tightened. The blank expression flickered. Not amusement. Recognition. The recognition of someone cataloguing a threat he hadn't expected.

"Funny." The word dropped like a stone. "The last funny man I knew died with his tongue cut out in a basement in Sofia." He turned his gaze on me fully, and the weight of it was physical, a pressure against my chest. "You are the treasurer. Sean Callahan. The one who counts the money and tells the jokes and thinks the world is a comedy."

"The world is a tragedy performed by comedians. I just have better timing than most."

Something changed in his face. A decision, made and sealed. He raised his arm. Extended it. The pistol in his hand aimed not at me but at Mendez. Directly at the center of his forehead.

The word was already in my throat, already forming, the "NO" that was equal parts scream and prayer, and it made it halfway out of my mouth before the gun fired.

The crack was enormous. It filled the desert the way thunder fills a valley, a single percussive detonation that hit every surface and bounced back, and Mendez's head snapped backward with the impact and his body followed, collapsing straight down, his knees folding beneath him, his weight hitting the pavement with a thud I would hear for the rest of my life.

"You fucking—" The rage hit me like a wall of fire. My vision went red at the edges. My hands were fists at my sides and every muscle in me was straining toward Kolev. "I'm going to fucking kill you. I'm going to rip your goddamn throat out with my?—"

Kolev redirected the pistol. Smooth. Mechanical. The barrel settling on Ortiz's chest.