Page 30 of Collateral


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He waits.

The horror of it is quiet and vast. He stopped. No hesitation, no negotiation, no pushing through. I said wait and his body obeyed before his mind could argue, and the implication unfolds in my chest like something with thorns: he would have listened. All along, through every power play and every possessive look and every time I felt the walls closing in, he would have listened.

It doesn't undo the cage. It doesn't change what I am here or what he bought or the fact that my freedom is theoretical at best. But it plants something in the center of all that ugliness, something small and green and impossible, and I can feel it taking root even as I try to pull it out.

He kneels there, patient and doesn't say a word.

I look down at him. My leg over his shoulder. His hands still on my skin, not gripping now, just resting. Stars wheeling silently behind me. And his face turned up to mine with an expression I will never be able to describe to anyone because it contains too many contradictions to survive language.

"Don't stop," I say.

Something breaks open between us. I feel it through the bond like a shockwave, a mutual falling, and his mouth is on me again before the last syllable dies in the air. But it's different now. Hungrier. His tongue pushes inside me and I cry out and grip the frame hard enough that the metal bites into my palms and he moans against me, into me, the vibration of it traveling through my core.

When I come, it hits like decompression. Sudden and total and violent, my whole body seizing around the pleasure, my back arching off the view port so hard that I hear the glass creak behind me. The sound I make isn't human. It's something torn from the place below language, below thought, and he holds me through it with his mouth and his hands and the steady, terrible patience of a man who has been waiting seven days to feel this through the bond.

His marks are incandescent. Bright enough to illuminate the room, cyan light pouring from his skin like he's been cracked open and something molten lives inside him. I can see it even through the blur of my vision, even through the aftershocks still rolling through me. He is glowing with my pleasure, a visible record of what I just gave him, and I have never been so exposed in my life.

He stands before I've finished trembling.

His hands find my waist and he lifts me and I wrap my legs around him on instinct, which is its own betrayal, and he carries me to the bed. Lays me on sheets that are cool and dark and softer than anything I've ever touched. Then he pulls his shirt over his head and the marks run the full length of his torso, every line of bioluminescence alive and blazing, and I see the body underneath for the first time: lean and scarred and built for the violence he does so well.

He strips efficiently and without performance. There's nothing theatrical about it. He is a manremoving an obstacle between his skin and mine, and when he settles over me, his weight is precise, enough to press me into the mattress without crushing, and the heat of him is everywhere.

"Look at me," he says.

I do. His eyes are darker than I've ever seen them, the blue-grey gone almost black, pupils blown wide. His marks cast light across my bare skin and the shadows they throw are moving, shifting, alive.

He pushes in slow.

My body opens for him and the sensation is full and stretching and so much that I dig my nails into his shoulders and he hisses through his teeth and holds still, letting me adjust, his forehead pressed to mine. Our breath mingles. I can taste the salt of my own skin on his lips.

"More." The word falls out of me before I can catch it.

He gives me more.

The rhythm he builds is controlled the way everything about him is controlled, deep and steady and unrelenting, and each thrust pushes a sound out of me that I can't suppress and don't try to. His hand slides up my body, over my breast, along my throat, and his fingers close around my jaw, tilting my face so I can't look away from him.

"You feel this?" Low. Rough. Barely words.

All I can manage to do is nod, my eyes on his.

I feel it. I feel everything. The stretch of him inside me and the friction that makes my toes curl and the impossibility of this, of me, of wanting this so badly that it's overriding every rational thought I've ever had. If i wasn't so deep in the haze I'd be embarassed by how wet he makes me, every thrust making more cum drip down my insides, streaking his cock.

I feel the bond between us pulsing like a live wire,carrying sensation both ways, so that when he groans I feel the vibration of it in my own chest, and when I clench around him he swears under his breath in a language I don't recognize.

Through the view port behind the bed, the station rotates and the galaxy wheels past in silence, and somewhere out there my old life is still happening. Still existing in a universe where I never stood in a black market auction and caught the eye of a syndicate lord. That woman is eating breakfast with her father. Going to work. Sleeping in sheets she bought herself in a room she chose.

That woman is dead. I killed her when I stepped forward. I'm killing her again now, with every thrust, with every sound I make, with every second I don't ask him to stop. I am the murderer and the corpse and the thing that grew from the grave, and the thing that grew has her legs wrapped around a man who owns her and is sayingyeslike she means it.

Because she means it.

His pace changes. Faster. The measured rhythm fracturing, his hips snapping against mine hard enough that the sound is obscene, wet and sharp in the quiet of the room, and I can feel it through the bond. The enormous effort it costs him to hold himself together. The way that effort is crumbling, piece by piece, not because he's losing control but because he's choosing to release it. For me. Because of me. Because my body under his is the one thing in this station, in this empire he's built from blood and silence, that makes the leash slip.

I am doing this to him.

I am the thing that breaks the unbreakable man's control, and the power of that realization is almost as devastating as the orgasm building at the base of my spine.His breath is ragged near my ear. His fingers dig into my hip hard enough to grind against bone and I don't flinch. I arch into it. I want the bruise. I want to press it tomorrow and remember what it felt like to be the earthquake under a man who never trembles.

"Come for me." His voice is wrecked. Stripped of every layer of composure and command, and underneath all of it he sounds almost desperate, almost young, almost human. "I want to feel it."