Page 59 of Valentine Vendetta


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My father’s jaw tightens. “Why?” he asks, almost childlike, as if asking will make it less cruel.

“Because we were convenient enemies,” I say. “Because dead women and dead heirs make ports cheap.”

He looks toward the river like the water might absolve him.

It doesn't.

I set the clause folder on his desk like a verdict. “You’ll follow it,” I tell him, “or you’ll watch me burn your secrets in daylight. Not whispers. Documents. Names. The kinds of receipts that make donors flinch and priests look away.”

He nods once.

Not agreement.

Survival.

I leave.

By the time I reach the Moretti building, my hands are still steady, but my body is done pretending it isn't carrying grief. The elevator hums. The city blurs behind glass. When the map room door opens, Luigi is there with his sleeves rolled up, looking like a man who learned how to be careful in rooms designed for cruelty, and decided anyway that careful doesn't have to mean cold.

He doesn't rush me. He doesn't take. He lets me cross the space to him.

That restraint matters.

“We did it,” he says. “You’re here in the Moretti house. A Valentine walked through the guards and lived.”

“We started it,” I correct. “We keep doing it.”

His hands settle at my waist, warm and steady, like an anchor I chose.

“Yes,” he murmurs.

I tilt my face up. “Yes what?”

He knows what I mean.

“A life that is chosen,” he says. “Not negotiated. Not traded. Not paid for.”

The words land in me like a door unlocking.

“Yes,” I whisper.

He kisses me like he's sealing it.

Outside, the river keeps moving.

The commission throws a gala to prove they’re in charge.

Red light washes the white columns until the ballroom looks like it’s blushing for sins it won’t confess. Bell motifs hang in glass and brass. A hundred tiny hearts that chime when the air conditioner sighs. The charity banner says the city loves its port and the port loves it back.

Two families present a united initiative for safer docks, scholarships for workers’ children, and an emergency fund that will not ask which house the hand belongs to when it reaches out.

The lie is pretty.

The truth is prettier.

We arrive together and separately, the way power insists we must.

My father floats through donors like he’s always belonged in a room that costs this much. He shakes hands with men who funded both sides every year the Vendetta wrote the guest list, and his smile is thinner than it used to be. He survives by converting outcomes into stories he can live with. Tonight he will tell himself he built this unity. I let him. He holds a checkbook. I hold the rule. The difference matters.