And only then do I remember that the man in the photograph also had a scar.
As did the man at the garden. The one who sat reading Mom’s obituary and looking sad.
The scar is the smoking gun. The one I was looking for. The one I couldn’t see.
They’re not two men who I’ve been searching for, but rather one man. And though it feels unimaginable, impossible, outrageous and far-fetched, I know it’s true.
This man is my father.
He knows that I am here. He knows that I am here and he’s come for me.
Because why else would he be there?
Now that I see them, his eyes are like hazelnuts, small and dark. He stares at me. Like me, he doesn’t blink.
And then he steps from the window and reaches for the lamp. It turns off and then on again. A distress signal. An SOS. Morse code. Three short, three long, three short flashes of light. Save me.
He’s speaking to me. Communicating.
I rise from the bed, sitting on the edge of it. I force my feet into a pair of gym shoes. The shoes resist. My feet have been sweating. They’re tacky and they don’t slip easily on. The laces of my shoes remain untied, trailing me as I go down the treacherous steps. I race out the front door, leaving it open wide, and across the dew-covered lawn.
At first I don’t think. I just go.
Blades of grass reach out to tickle my legs as I cross the yard. The grass is long, in need of a trim, and my legs are bare, wearing only a pair of shorts. The air is nippy and brisk, but still, somehow, I sweat. It comes streaming down my hairline, gathering like swimming pools beneath my arms.
And then, ten or twenty feet from the carriage home, I start to question myself. What am I doing?
Suddenly I’m scared.
Three times I stop to get my bearings, looking around, in front of me and behind. Listening. A tree reaches out for me, brushes my arm, its leaves like the gentle caress of a human hand. I jerk back, startled and afraid.
It’s dark outside. So dark that I can’t see what’s three feet before my eyes. I don’t know what’s there, if anything’s there. My heart pounds inside me. “Is anyone there?” I call out, but no one replies.
Above me, I’m keenly aware that the blaze of light from the third-floor bedroom has gone dark. The house is black, no light anywhere. I think about going back, about turning around and going home. Of crawling onto the bed, of hiding beneath the sheets where I’ll be safely on base.
But then I come to a spot that’s halfway to the greystone and halfway back. I’m stuck in the middle, and the thought of going back seems as ominous as moving forward, especially since I left the door open wide. By now, who knows who’s let themselves inside.
I hear scavengers in the distance. Raccoons, crows, rats. A creature scampers away from me on the lawn. Ringed tail. Masked face. Footprints like human hands. And I imagine a contorted human crawling by on all fours, releasing a guttural growl at me. Running away.
I make my way along the brick paver patio and toward the front door. There I climb the steps to the front door. Nearly ten of them, each tread precariously thin. At the top I pause to catch my breath. I breathe in, holding the air in my lungs. Absorbing it. Letting it fill my cells and bob through my bloodstream like a buoy at sea.
Two sidelights flank the solid mahogany door. I see my bedraggled reflection in each as I stand with my hand on my heart, gasping for air. My hair stands every which way; my skin is a bloodless white, deathly pale. There are purple bags beneath my eyes.
I knock on the door. It’s a knock that’s uncertain at first, but one that becomes more certain with each second that passes by. Once, twice, three times I knock. There’s no reply.
Before I know it, I’ve knocked twenty-three times, each knock progressively louder, so that by number twenty-three, the knock is a pound. I raise my arm again but before I can bang once more, the porch light switches on. It startles me, the abruptness of it. Though after all this time, it’s anything but abrupt.
Suddenly I’m no longer trapped in a black hole but instead doused with a bright white light that makes me go momentarily blind. For a whole six seconds after the front door opens, I see nothing. Just blotches, spots, dots. “Who’s there?” I ask, voice still breathless, knowing it can be one of two people standing in the doorframe: the man in the attic window or Ms. Geissler.
“It’s three in the morning, Jessie,” she says to me. Her words are tired and annoyed. It’s Ms. Geissler, who, unlike me, had apparently been sleeping, spared from a night of insomnia, unlike me.
My eyes focus to see her wrapping a red cotton robe around herself, tying the belt into a bow and patting down her hair. “What’s the problem, dear?” she asks, her eyebrows scrunched up. “Is everything all right?”
“He’s here,” I say quickly, taking two small steps toward Ms. Geissler, bridging the gap from her to me. She takes a step in retreat.
“Who’s here?” she asks. And I say, “Him. A man. Upstairs.”
And it’s the blankness of her expression that gets me upset, that makes me snap. That and my overwhelming fatigue, my persistent irritability thanks to a lack of sleep. “You know who I mean. You know exactly who I mean,” I say roughly because I know he’s here, in her home. She has to know that he’s here. She has toknowhim, because why else would he be here? “The man in the window upstairs. The one who’s been watching me. He’s here.”
