“Yes, I remember, in Italy when you tossed me off your boat like a two-bit hooker.”
Italy???
“You came uninvited.”
“Well, I was certainly welcomed while I was there.”
“You didn’t leave like you were supposed to. Why didn’t you get on the goddamned plane?”
“I had business to take care of.”
“My business, I’m sure.”
I stop moving in fear I am not supposed to be eavesdropping on this conversation.
“You have decisions to make, Asher. You told me you were signing those papers. That envelope has been following you around for over a year.”
“What does it matter to you?
“We were going to take on the world together. ‘Fuck them all,’ remember? That’s what you told me. And then you just left. It took me months to track you down.”
“I needed to get away.”
“From me? You said I was the only one who knew what it was like to be unloved. You said I was the only one who really got it.”
“I’ve changed.”
“You think you’re in love. Tell me, how has that gone for you in the past?”
“Get out!”His words are loud and booming, and I jump a little.
“You’re making a mistake.”
“I said, get out!”I hear him bang on something, possible a desk and my body flinches at the sound.
The office door opens completely and a woman exits, rubbing her hands against each other in frustration. As she walks out, she stops at the sight of me, and I recognize those dark onyx eyes.
Her lips fix into a wicked yet disappointed smirk as she slowly nods her head in understanding. Alexander is quickly behind her; his body also stops at the sight of me. He has an infuriated look on his face, and his hair is dishevelled as if he’s been running his hands through it.
I push my shoulders back and look back at Malory Dean. She still looks as sexy as she did the first time I met her, but tonight she has a determined look in her eye.
Taking three catlike steps toward me, she stops and looks down from her four-inch heels. “Emma Paige.” She says my name like it’s a revelation.
Alexander looks from her to me, uncertainty in his eyes. His footsteps are quick and heavy as he walks over to the elevator and hits the down button. “Leave.” The abrupt word is directed toward Malory.
Still looking at me, Malory’s already narrow eyes squint at me. The ping of the elevator causes her to lift her head. She looks over at Alexander, whose jaw is so tight I’m afraid his teeth are going to break. Malory walks toward the elevator but before she gets in she stops. Her eyes skirt towards me, again, for a second before zeroing in on Alexander. “Not everyone is willing to give it up as easily as you are.”
She walks into the elevator and the doors close behind her, leaving me and Alexander alone in the waiting room. I have no idea what that exchange was about, and I have an awful feeling I don’t want to know.
Alexander walks over to me, and I temporarily lose my balance when he takes my hand and pulls me through the double door and into his office. My feet find traction as they scurry behind him.
I have so many questions to ask him but my feelings are momentarily pushed aside as I take in the room we have just entered. This isn’t a typical office. This is a command center.
The room takes up half the floor. Granted, the building gets narrower as you get to the top, but there is no denying the immensity of the space. It is divided into four sections. To the left is what looks like the main office area with a large desk in front of floor-to-ceiling windows. An equally massive chair sits behind it. The sky is dark tonight, so I can see a stunning view of the city with the buildingslit up like Christmas.
To the right side of the room is a seating area with furniture of black and gray and closer to the entrance is a conference table. Directly in front of me is a bar, fully stocked and large enough to host a party. The room is accented with glass tables, a mahogany honeycomb ceiling and golden eyes that are staring at me, waiting to say . . . something.
“How do you know Malory?”
