Page 20 of Only You


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I'd taken that photo. I remembered that day. She'd just gotten the nonprofit paperwork approved. She'd spun around in circles, singing to the baby about all the stories they'd read together.

My vision blurred. I blinked hard.

Daisy traced the glass over Elena's face with a small finger. "Mommy," she whispered. She stared at the photo for a long moment, her brow furrowed in thought.

Then she looked up at me, her gray eyes impossibly serious. "Daddy?"

"Yes?"

"Can we keep it open? Mommy's place?" Her voice was so small. "Please?"

The direct request shattered me. I knelt, bringing myself to her level. "Daisy..." My voice cracked. "I'm not like Mommy. I don't know how to... I build companies. I don't know how to run a place like this." I gestured helplessly at the walls. "I can't be what it needs. I can't be her."

Her little brow furrowed in pragmatic problem-solving. She turned from me, the photo clutched to her chest, and walked to where Anna stood quietly by the door.

Daisy looked up at her. "Can you help?" she asked, as simply as asking for water. "The kids like you. I like you."

Anna's face went pale. She reached down and caressed her hair. "Oh, sweetie, I..." Her voice was thick. "I can't. I'm not qualified. I'm just..." She glanced at me, then away. "I'm just the help."

Margaret, who had been discreetly straightening a shelf, spoke softly. "Elena didn't know anything when she started, either. She was just a teacher with toomany books in her car and a heart too big for her chest. She learned." She looked from Anna to me. "Passion and love for children... that's the only prerequisite she ever cared about."

Daisy tugged on Anna's hand, her voice a pleading whisper. "Will you come back? Will you read to us again?" Then she turned to me, the photo of her beaming mother pressed between us. "Please, Daddy? Can Anna help keep Mommy's place open?"

The request hung in the sunlit office. My daughter was asking me to let the woman I despised step into her mother's role to save her mother's dream.

Every cell in my body screamed no.

But I looked at Daisy's face, so full of desperate hope. I looked at the photo in her hands, at Elena's joyous expression. I looked at Anna, kneeling on the floor, her face a landscape of guilt and awe and fear.

And a thought, shocking in its clarity, broke through.

What would Elena want?

I could hear her voice. That argument we'd had a month before she died. I'd suggested she step back, hire someone to run day-to-day operations. She'd looked at me like I'd suggested closing it entirely. "This isn't a tax write-off, Jack. It's not a brand. These kids need to see that adults show up. They need people who care about them genuinely, not people solely motivated by paychecks."

She would want this place to be full of life and stories. She would want Daisy to have a connection toher work. And she would—with her boundless, foolish, magnificent compassion—look at a wounded, guilty woman who was good with children and see not an enemy, but potential.

The contradiction was so vast it made me dizzy. Honoring Elena's memory meant embracing the person my grief told me to destroy.

Anna was still looking at me, waiting for the axe to fall. Daisy's small hand was still tugging hers.

I didn't trust myself to speak. My throat was sealed shut. I looked at Margaret, the keeper of this flame. Her eyes held not judgment, but profound, patient understanding.

I gave one more stiff, almost imperceptible nod. Not to Anna. Nor Margaret. But to the ghost in the room.

Margaret's face softened, understanding. She turned to Anna. "Why don't we schedule you for next Saturday? Same time. If you're willing."

Anna looked at me, searching for permission or maybe a warning. I gave her nothing. Just turned and walked out of the office, Daisy's hand finding mine in the hallway.

Behind us, I heard Anna's quiet, shaky reply: "I'll be here."

We left the yellow building in silence. As Margaret locked the door behind us, Daisy turned back one last time, pressing her palm against the glass like she was committing it to memory.

Or saying goodbye to the part of her mother that still lived here.

In the car, she fell asleep against my shoulder, the photo of Elena still clutched in her small hands. And I sat there, watching Anna through the rearview mirror in the front passenger seat, wondering when exactly I'd stopped being the hunter and become a man caught in a trap of his own making.

It wasn't approval. It wasn't forgiveness. It was a surrender to a logic greater than my pain. I was choosing which version of Elena I would honor: the victim of a tragedy, or the woman who built places of light.