Page 109 of The Romance Killer


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“I’m not here to referee inheritance, corporate control, or family politics. That’s above my pay grade and outside my badge. I’ll be brief, respectful, and I won’t wake him unless absolutely necessary.”

I nod, grateful in a way I don’t have words for.

Two floors from the penthouse, I feel heat rise in my face. “This place is a lot. It’s… overwhelming. It’s never photographed. It’s been Dad’s sanctuary. A place he can be himself and not worry about what anyone may want from him.”

“Ma’am, I don’t talk about what I see on welfare checks. Especially not when money’s involved. Not even to my wife. Especially not my…” The doors open and he finishes in a breath, “my wife.”

I take Claudia’s hand before she can stop me, because what waits beyond the threshold isn’t just a home. It’s scale. It’s power. It’s the kind of space that recalibrates your sense of reality, whether you want it to or not.

The penthouse is asingle, uninterrupted floor,sprawling and deliberate, carved intofive distinct wingsradiating from a central living expanse like a compass. Not hallways. Wings. Each one is a private kingdom.

The main living area is cathedral-sized, ceilings soaring, glass wrapping nearly every exterior wall, so Manhattan feels less like a city and more like a moving mural. The skyline stretches endlessly, bridges lit like arteries, traffic pulsing far below. It’s quiet up here. Not silent. Elevated. Like the city knows it doesn’t get to touch this space.

Underfoot, pale stone floors warmed just enough so your feet are never cold. No echo. Everything absorbs sound. Money does that.

Straight ahead sits thegrand salon, anchored by seating that faces outward toward the view rather than inward.Conversations happen beside the city, not instead of it. A concert grand piano rests near the windows, polished, tuned, respected. Not decorative, it’s used. A library wall stretches floor to ceiling, books worn, annotated, loved.

The kitchen behind us is massive but restrained, all muted marble and brushed metal. A chef’s kitchen pretending it isn’t one,and that is what butler pantries are for. The central island is built for gatherings that rarely happen anymore. Coffee already set out, cups placed where someone expects hands to reach in the morning. The smell is clean citrus and old leather and… Dad.

“Well,” Claudia says. “We’re not in Brooklyn anymore.”

“Understatement of the century.” The officer says.

Each wing branches off from the center:

One wing is clearly Dad’s. The master suite is beyond oversized, with a bedroom, sitting room, fireplace, office nook, and a bath that looks like it belongs in a European palace. The door is half-closed. Lights low. He’s asleep.

I point in that direction, “Dad’s wing.”

The officer looks down at his feet, as if considering taking off his boots. “You’re good.”

He walks that way, but I stay with Claudia.

“You should go,” she says.

I shake my head, “The night nurse is in there, he’s fine.”

We stand there, silence enveloping us, as I imagine what she must be thinking.

Then she asks, amused, “Do you have a wing?”

I nod to the left, “Tour time.”

“I don’t?—”

“You have full access. You should know the layout.” I pull her behind me. “I’ve never invited anyone here; it’s almost embarrassing.”

“Yeah, I can see why,” she jokes.

“This wing was supposed to be a guest suite, but when neither of them moved in, the family wing was kind of left empty. They don’t even stay when they visit once a freaking year.

“This is just a fraction smaller than Dad’s. Same amenities.” I open the door, “Bedroom, bath, sitting area, private balcony. It’s too much.”

She squeezes my hand, “Stop apologizing for your life and show me more.”

So, I do. The third wing is quieter. A wellness suite. Gym, treatment room, meditation space. Windows positioned for sunrise.

“Everything designed to keep a man functioning longer than his body might allow, but it did nothing for him.”