Mina began with the servants’ hall, although that didn’t take very long. The bare walls and wooden floors weren’t particularly interesting, and she was hardly going to enter anyone’s bedroom. Even if she’d been willing to pry, which she wasn’t, it would only have been another room like hers, except perhaps smaller. There was no attic room at the top of this house, no imprisoned wife like the ones from Florrie’s imagination.
The thought made Mina smile. Then, descending the stairs, she wondered if MacAlasdair might not have a wife after all. Not a mad one, of course, but it was common enough for even normal men to take a house in the city and leave their wives and children in the country, if they were rich enough. MacAlasdair was.
Perhaps his kind kept their women locked up, as a rule.
That line of thought brought up several other questions: just what kind of womenwerethese hypothetical wives, anyhow? It didn’t seem likely that dragon-men just grew on trees, though Mina supposed it was possible. Who did they marry, then? Mortal women? Did that…work?
Mina was glad nobody was around, since she could feel her cheeks burning. The memory of MacAlasdair with his shirt off came to her unbidden, and a small unwelcome voice in the back of her head said:Hecertainlylookedlikeamanthen.
“Well, it’s nothing to do with me,” she said aloud, and hurried into the next hallway.
Mostly, this one held more bedrooms, all of which had clearly been vacant for a while. The doors were unlocked, the blinds drawn, and the furniture covered with white cloths. In the dim light, the draped sofas and chairs made Mina think of ghosts. In truth, the whole place had a spooky feel to it, of places meant for people and action and life that now held only stillness.
Maybe all big houses felt like that when the family wasn’t about. She’d have to ask Alice after all of this was over.
Hunting scenes and landscapes hung on the walls. Mina saw one of a castle somewhere green, at sunset. Shadows flew across the background. To a casual observer, they might have been birds.
The picture looked like something out of a book of fairy tales, like it should have had a knight in armor at the bottom of the castle and a princess leaning out a window at the top. Or maybe those were sensitive subjects to dragons. Mina giggled, then heard herself and stopped. In the empty room, she felt conspicuous, as if she’d laughed in church.
The ground floor should have been more familiar after four days, but Mina paused at the bottom of the stairs and looked around with the same uncertainty that she’d felt upstairs. She knew the drawing room where she and MacAlasdair ate breakfast; she knew the kitchen; she was passingly familiar with the rooms between them; and otherwise she’d kept to her room or Mrs. Hennings’s like…
Well, there was that image of a mad wife again.
She turned right and started off boldly, though she made sure that she was heading away from the room where MacAlasdair kept himself. Curiosity was one thing, foolhardiness quite another.
She opened a door and found a library, shelves covering three of the four walls. The books on them ranged from red-leather-bound volumes that looked almost new to haphazard bundles of peeling binding and crumbling papers. She lingered there for a while, testing the inviting armchairs in front of the fireplace and flipping through a few of the hardier- looking books.
When she opened the next door, she found the room where she’d broken the window.
Mina paused in the doorway for a few seconds that felt much longer, then stepped inside and pulled the drapes apart. The window was whole again—that could have been magic, but was more likely an expensive and hasty bit of work on the part of a glazier—and the lights of the London evening came shining in through it.
By those lights, dim as they were, she could see a long sword hanging over the fireplace. It was in a scabbard with lots of brass, and the twisted handle looked like silver. Although Mina didn’t know much about swords, this one wasn’t shaped like any kind of officer’s saber she’d seen, even from a distance. She thought it was older than most Army swords, maybe even older than the Army as she knew it.
Below the sword, little ornaments marched across the top of the mantel: a giraffe, carved out of what was probably ivory; a portrait of a gray-haired woman; and a small bronze box set with red and blue gems—most likely real rubies and sapphires, Mina thought, though small ones. On top of the box was a bronze bird, its mouth opened to sing.
Very carefully, Mina picked the box up. As she’d thought, there was a key on the bottom. When she wound it, a slow, graceful melody began to play, one that sounded as old as the sword looked. She’d certainly never heard the tune before.
Then she heard something else: footsteps in the hall outside.
***
After the transformation had passed, Stephen’s human form felt new and foreign. Before Bavaria, it had never done so—one shape had been as natural as the other. Now every night was an adjustment, and when he didn’t have the pressure of manes and strange women in his house, relearning his human body went, or seemed to go, much more slowly.
At home, he’d walked in the woods, secure that he could handle any threat there. The London streets weren’t nearly as safe, and Stephen didn’t wish to accidentally break a pickpocket’s arm, so he wandered through the halls of his house—trying, he’d thought sometimes, to makeitfeel his as he made his body do the same.
Music was one more new element in a world full of them. Pleasant as it was, the tune brought his head up and his senses to full alert. Someone was nearby. Stephen hurried down the hall toward the sound, opened the drawing room door—
—and saw Miss Seymour.
She stood in front of the windows, the city lights casting a pattern of light and shadow over her coiled hair, with her hands cupped around something that gleamed bronze.
As Stephen entered, she lifted her head and turned, full lips parting in surprise before she spoke. “Good evening, Lord MacAlasdair.”
Over the past few days, he’d come to know that careful, polite tone as the sound of drawn steel: not striking out, but very prepared for an opponent’s blow and letting him know it. Even if that opponent hadn’t thought of himself as an opponent. Even if he was in his own house.
“Miss Seymour,” said Stephen, “I wasn’t expecting to find you here.”
“Oh? It looked like a public room,” she said. Very carefully and very visibly, she put the music box back on the mantel. “I thought I’d look around a bit. I hope you don’t mind.”
